Showing posts with label Surrealism. Show all posts
Showing posts with label Surrealism. Show all posts

Monday, April 21, 2014

Robin D.G. Kelley: A Conversation on Suzanne Césaire, Surrealism, Négritude, and Black Feminism


Returning to New Day Jazz this afternoon in the 5 o'clock hour, Robin D.G. Kelley, for a discussion of Suzanne Césaire, and the recently published collection of her writings for Tropiques, The Great Camouflage.

Missed the Show?

MP3 Stream 320kbps, broadband

ArtistSongAlbumLabel
Gato Barbieri La China Leoncia Arreo La Correntinada Trajo Entre La Muchachada La Flor De La Juventud Chapter One: Latin America Impulse!
Michael White The Land of Spirit and Light The Land of Spirit and Light Impulse!
Airbreak
Andrew Hill Siete Ocho Judgement! Blue Note
Bobby Hutcherson Catta Dialogue Blue Note
Max Roach featuring Abbey Lincoln Garvey's Ghost Percussion Bitter Sweet Impulse!
Charles Mingus Passions of a Man Oh Yeah! Atlantic
Charles Mingus Tonight at Noon Tonight at Noon Atlantic
Airbreak
Art Ensemble of Chicago featuring Fontella Bass Theme de Yoyo Les Stances a Sophie Nessa
Air G.v.E. Air Time Nessa
Airbreak
Andrew Hill Diddy Wah One for One Blue Note
Andrew Hill Poinsetta One for One Blue Note
Airbreak
Duke Ellington Fleurette Africaine (African Flower) Money Jungle United Artists
Interview with Robin D.G. Kelley by Justin Desmangles Interview with Robin D.G. Kelley by Justin Desmangles Interview with Robin D.G. Kelley by Justin Desmangles Interview with Robin D.G. Kelley by Justin Desmangles
Duke Ellington Fleurette Africaine (African Flower) Money Jungle United Artists
Airbreak
Bob Dorough Small Day Tomorrow Beginning to See the Light Laissez-Faire
Ernestine Anderson Sunny Sunshine Concord

Monday, February 6, 2012

Will Alexander and the Ancient Future

Show description for Sunday 2/5/2012 @ 3:00 PM - 6:00 PM

This afternoon, on the 5 o'clock hour, poet, playwright, novelist, Will Alexander. We will be discussing his most recent works, Diary as Sin, Inside the Earthquake Palace: 4 Plays, and Mirach Speaks to His Grammatical Transparents.

“I am not of one persona, not of one mystery, but arrayed with intransigent neurons and timings. … I’ve splintered my own trajectory from a fissioning of threats which have issued from my great monomial leprosy. Which has created in me a raw ascensional vastitude, allowing me further millennia although the bodies about me will all have been destroyed. Because I speak out of blindness I am able to respond to spiritual extremity, which has transmuted dearth and soulless nightmare relations. Of course I am speaking from auto-causality, from an enriched alkaline insurrection, altricial, haunted, partaking cacophony from the cinders of nauseous aeronautics. Because I am Mexican and Seminole I breed schisms, I breed eloquent ransacking laws." -

Rosanna Galvez from Diary as Sin


ArtistSongAlbumLabel

Mary Lou WilliamsThey Can't Take That Away From MeThe First Lady of the PianoInner City

Mary Lou WilliamsLady BirdThe First Lady of the PianoInner City

Dizzy GillespieDizzy Song (Lady Bird)Jazz Time Paris, Vol. 2Vogue

Miles Davis & Gil EvansSpringsvilleMiles AheadColumbia

Gigi GryceBrown SkinsGigi Gryce et Son OrchestreVogue

Betty CarterAll I've GotOut TherePeacock

Betty CarterMake It LastOut TherePeacock
========================== Airbreak ==========================

Dizzy Gillespie Afro-ParisHorn Of PlentyBlue Note

Ahmad Jamal TrioBilly BoyPoincianaArgo (Chess)

Phineas Newborn, Jr. What Is This Thing Called Love? Phineas' RainbowRCA

Charles MingusMysterious BluesNewport RebelsCandid

Billie HolidayA Fine RomanceMusic For TorchingVerve

Billie HolidayCheek To CheekAll Or Nothing at AllVerve
========================== Airbreak ==========================

Roy EldridgeCrazy DriverLittle JazzInner City

Thelonious MonkSixteenGenius Of Modern Music Vol. 2Blue Note

Gil Evans (Cecil Taylor)PotsInto The HotImpulse

Andrew HillThe GriotsAndrew!!!Blue Note

Andrew HillAlfredJudgementBlue Note
========================== Airbreak ==========================

Andrew HillSymmetryAndrew!!!Blue Note

Milt JacksonOut Of NowhereWizard Of The VibesDisques Swing

Zoot SimsSlingin' HashFirst Recordings!Prestige

Buck ClaytonPassport To ParadisePassport To ParadiseInner City
========================== Airbreak ==========================

Sonny Rollins Misterioso (excerpt)Sonny Rollins Volume 2Blue Note

Interview With Will Alexander By Justin DesmanglesInterview With Will Alexander By Justin DesmanglesInterview With Will Alexander By Justin DesmanglesInterview With Will Alexander By Justin Desmangles

Sonny Rollins Misterioso (excerpt)Sonny Rollins Volume 2Blue Note

Monday, October 31, 2011

Will Alexander & Deep Time


Show description for Sunday 10/30/2011 @ 3:00 PM - 6:00 PM

Our guest this afternoon, in the 5 o'clock hour, poet Will Alexander. His most recent book, Compression & Purity, is new from City Lights. Also featured this week, new music from alto saxophonist and composer Darius Jones. His new disc, featuring Adam Lane on bass, and Jason Nazary on drums, is Big Gurl (Smell My Dream). We will also be listening in on the extraordinary 3 disc collection from William Parker Crumbling In the Shadows Is Fraulein Miller's Stale Cake.

Few poets writing today can compare with L.A.-based surrealist Will Alexander in terms of the intensity of his imagination or his radically experimental approach to language as material object. Through the use of automatic writing, Alexander practices a surrealism of the word, creating densely textured layers of signification from its sounded and written forms. Compression & Purity, volume five of our Spotlight poetry series, is Alexander's seventh full-length collection. Known for his visionary epics influenced by poets like Césaire, Artaud and Lamantia, Alexander here returns to shorter forms to address his ecological, cosmological and historical concerns. Highlights include monologues from the perspective of "The Blood Penguin" and "The Pope at Avignon," a song by the "Water on New Mars," and an homage to Cesar Vallejo, "Combustion & Leakage." In true surrealist fashion, the book also includes both an autobiographical lyric essay, "My Interior Vita," describing the evolution of Alexander's artistic consciousness through jazz and surrealism, and his disavowal of the autobiographical process, "On Anti-Biography." An imaginative tour de force, Compression & Purity confirms Alexander's reputation among surrealism's foremost contemporary practitioners.

"This new & rich gathering of Will Alexander's works – always in progress – marks him again as the true successor among us to the likes of Surreal & deeply explorative figures like Breton & Césaire. No other poet writing in America today does it the way that Alexander does – a range of words & images that startle & create new pathways for language & the mind-in-freedom (“alchemical, mesmeric, totalic,” as he names them in these pages). Compression & Purity, so aptly titled, is the work of a true American & world master – & a joy to have & read." —Jerome Rothenberg

“Even at its most confounding, most silent level, this work will unavoidably enter and leave you by a genetic thread of conscious mind woven beyond your 'domestic horizon,; your ‘provincial description' to a vibrating ‘celebration of un-brokeneness.’ This song, in the genealogical terms of cognitive evolution, sings us backwards ‘or forwards’ into a state where we are undifferentiated from the cosmos and can speak, as Will Alexander does, in the full range at once of carbon from dust to diamond.” —Ed Roberson

Missed the Show?

MP3 Stream 192kpbs, broadband
MP3 Stream 32kpbs, broadband

View Past Shows



ArtistSongAlbumLabel

Darius Jones Trio E-GazBig Gurl (Smell My Dream)AUM - Fidelity

Darius Jones Trio Michelle Loves WillieBig Gurl (Smell My Dream)AUM - Fidelity

Darius Jones Trio A TrainBig Gurl (Smell My Dream)AUM - Fidelity

William ParkerGreen Mountains (for Bill Dixon)Crumbling In the Shadows Is Fraulein Miller's Stale Cake.Centering Records

William ParkerPhiladelphia ClayCrumbling In the Shadows Is Fraulein Miller's Stale Cake.Centering Records
========================== Airbreak ==========================

Henry Threadgill ZooidLying EyesThis Brings Us To, Vol. 2Pi Recordings

Henry Grimes & Rashied AliLarger Astronomical TimeSpirits AloftPorter Records

Odean Pope featuring Marshall AllenThe TrackUniversal SoundsPorter Records

Roscoe Mitchell & Muhal Richard AbramsRomuSpectrumMutable
========================== Airbreak ==========================

Alice ColtraneLeoTranslinear LightImpulse

John ColtraneIndiaThe Complete 1961 Village Vanguard RecordingsImpulse
========================== Airbreak ==========================

Wasimxzama Khan NaseriKavaliMusic In The World Of Islam: Human Voice / LutesTopic

Dunya YunisAbu ZelufMusic In The World Of Islam: Human Voice / LutesTopic

Gadabursi Somali of OgadenLeader/Chorus Song (excerpt)Music In The World Of Islam: Human Voice / LutesTopic
========================== Airbreak ==========================

Interview With Will Alexander By Justin DesmanglesInterview With Will Alexander By Justin DesmanglesInterview With Will Alexander By Justin DesmanglesInterview With Will Alexander By Justin Desmangles
========================== Airbreak ==========================

John ColtraneChasing The TraneThe Complete 1961 Village Vanguard Recordings

Tuesday, October 4, 2011

Does the Secret Mind Whisper? Nov. 11, 2011

line

Bob KaufmanFriday NOV 11

"Does the Secret Mind Whisper?"
Will Alexander, Maria Damon and Justin Desmangles

a symposium on Bob Kaufman, Black surrealism, and cultural poetics
7:30 pm @ Meridian Gallery, 535 Powell Street,



Co-sponsored with Before Columbus Foundation


“…the ‘secret mind’ represents the convergence of multiple cultural trajectories. It is the political unconscious of the US, which registers all the ‘secret, terrible hurts’ (Kaufman, “Bagel Shop Jazz”) visited upon people who belong to an ‘America not on any map’ (Will Alexander), the disenfranchised who may ruminate silently on these social, spiritual and bodily injuries but who may speak of them openly only at their peril.”

—Maria Damon, Jacket2, “Poetry in 1960, A Symposium”

"Does the Secret Mind Whisper?" was the gnomic open question posed by poet Bob Kaufman in an early City Lights broadside by that title. In collaboration with the Before Columbus Foundation, the Poetry Center hosts an evening symposium under that rubric, in order to take up the nature of Kaufman's legacy and practice, and its extensions into the 21st Century. Featured guests include poet-scholars Will Alexander and Maria Damon, in conversation with Bay Area writer, radio host/dj and cultural worker Justin Desmangles.

BOB KAUFMAN (1925–1986) was a key participant in the 1950s San Francisco poetry renaissance and the Beat movement. Author of three renowned poetry broadsides, Abomunist Manfesto, Second April, and Does the Secret Mind Whisper?, published in the late 1950s by City Lights Books, his poetry in print remained elusive until two collections came out in the mid-1960s. The landmark Solitudes Crowded With Loneliness (1965), published by New Directions, has remained in print for better than four decades. Golden Sardine (1967) became a signature City Lights Pocket Poets volume alongside the works of renowned contemporaries Allen Ginsberg, Gregory Corso, and Lawrence Ferlinghetti. During Kaufman's last decade, editor Raymond Foye assembled the volume of fugitive works, Ancient Rain: Poems 1956–1978 (New Directions, 1981). The posthumous collection, Cranial Guitar: Selected Poems, appeared in 1996 (Coffee House Press). Following Kaufman's death in 1986, a two-hour feature program, Bob Kaufman, Poet, was produced by David Henderson for KPFA-FM and aired nationally through the Pacifica network. Regarded in France as "the American Rimbaud," Bob Kaufman has been celebrated internationally for his particular mode of Surrealism, permeated by a profound affinity for the outcasts of American society, the poor and punished. The late saxophonist and jazz song composer Steve Lacy called Kaufman "the greatest jazz poet, and the beatest of the Beats."

WILL ALEXANDER (see bio above) has previously published the essay "Bob Kaufman: The Footnotes Exploded" in Conjunctions 29: Tributes.


MARIA DAMON (see bio above) his written on Bob Kaufman, extensively in her early book The Dark End of the Street: Margins in American Vanguard Poetry (University of Minnesota) and more recently online at Jacket2.

Archive AudioJUSTIN DESMANGLES hosts the radio program New Day Jazz, currently at KDVS-90.3 FM, and available online, a heady blend of music and cultural commentary, focused on the African-American cultural continuum. Frequent guests offer a largesse of inquiring and informed commentary, via conversations with, e.g., scholars William W. Cook and James Tatum on African American Writers and Classical Tradition; A. James Arnold and Clayton Eshlemen on their collaborative translation of Aimé Césaire's Solar Throat Slashed; Robin D.G. Kelley on his stellar biography Thelonious Monk: The Life and Times of an American Original; and jazz pianist Matthew Shipp on the legacy of Bud Powell. Chair of the Before Columbus Foundation, which hosts the annual American Book Award, Justin Desmangles has organized numerous public programs, at San Francisco Public Library and Yoshi's jazz club in San Francisco's Fillmore neighborhood, among other venues.

In a series of public programs on the life and legacy of Bob Kaufman under the title "Does the Secret Mind Whisper?" he recently brought together AACM co-founder Roscoe Mitchell with Kaufman's poetry in performances of original compositions. An upcoming November 14 Benefit for the Before Columbus Foundation at Yoshi's San Francisco will reunite Roscoe Mitchell and Amiri Baraka in duo performance, and feature the new Ishmael Reed Band.

Wednesday, August 24, 2011

Aime Cesaire: Solar Throat Slashed, Part One with A. James Arnold


Show description for Sunday 8/21/2011 @ 3:00 PM - 6:00 PM


Our guest today on the 5 o'clock hour, A. James Arnold, discussing his most recent work, in collaboration with Clayton Eshelman, Solar Throat Slashed, the unexpurgated 1948 edition of the masterwork by Aimé Césaire.

A. JAMES ARNOLD is an emeritus professor of French at the University of Virginia. He is the lead editor of Césaire's complete literary works in French (in progress) and author of Modernism and Negritude: The Poetry and Poetics of Aimé Césaire.

Soleil cou coupé (Solar Throat Slashed) is Aimé Césaire’s most explosive collection of poetry. Animistically dense, charged with eroticism and blasphemy, and imbued with an African and Vodun spirituality, this book takes the French surrealist adventure to new heights and depths. A Césaire poem is an intersection at which metaphoric traceries create historically aware nexuses of thought and experience, jagged solidarity, apocalyptic surgery, and solar dynamite. The original 1948 French edition of Soleil cou coupé has a dense magico-religious frame of reference. In the late 1950s, Césaire was increasingly politically focused and seeking a wider audience, when he, in effect, gelded the 1948 text—eliminating 31 of the 72 poems, and editing another 29. Until now, only the revised 1961 edition, called Cadastre, has been translated. The revised text lacks the radical originality of Soleil cou coupé. This Wesleyan edition presents all the original poems en face with the new English translations. Includes an introduction by A. James Arnold and notes by Clayton Eshleman.

“Not only do Eshleman and Arnold give us excellent translations of Césaire’s at times syntactically knotty, etymologically abstruse, and semantically bedeviling verse; they also contextualize the poems—with an introduction by Arnold and endnotes by Eshleman—with crucial historical information and lucid discussions of the complexities of the poems’ language.”Brent Hayes Edwards, author of The Practice of Diaspora

“Since Césaire first came into our view, he has seemed to some of us to be, with Breton and Artaud, one of the three truly unbounded poets of Surrealism—not so much lyrical, as with some other, more readily accessible poets (Eluard and Desnos the finest among them), but as Diderot had it over two centuries ago: the maker of a poetry that was and had to be ‘barbaric, vast and wild.’ It is the genius of the present gathering to rescue from previous editings and literary compromises the full force of Césaire’s remarkable 1948 work, Soleil cou coupé/Solar Throat Slashed. The result—in both the original French and in Eshleman’s and Arnold’s remarkable and no-holds-barred translation—is a reconstituted masterwork of the twentieth century and ample grist for the century to come.”Jerome Rothenberg, editor of Technicians of the Sacred







ArtistSongAlbumLabel

William Parker featuring Leena ConquestIf There's A Hell BelowI Plan To Stay A BelieverAUM - Fidelity

William Parker Organ QuartetThe StruggleUncle Joe's Spirit House Centering Music

Wasimxzama Khan NaseriKavaliMusic In the World of Islam: VoicesTopic Records

Dunya YunisAbu ZelufMusic In the World of Islam: VoicesTopic Records
========================== Airbreak ==========================

Henry Threadgill ZooidExtremely Sweet WilliamThis Brings Us To, Vol. 2Pi

Henry Threadgill ZooidPolymorphThis Brings Us To, Vol. 2Pi

Henry Grimes & Rashied AliRapid TransitSpirits AloftPorter

Michael BisioTravel MusicTravel Musicmichaelbisio.com
========================== Airbreak ==========================

Louie Belogenis TrioTiresiasTiresiasPorter

Henry Threadgill ZooidWhite Wednesday Off the WallThis Brings Us To, Vol. 1Pi
========================== Airbreak ==========================

Farmers By NatureOut of This World's Distortions Grow Aspens and Other Beautiful ThingsOut of This World's DistortionsAUM - Fidelity

Interview with A. James Arnold by Justin DesmanglesInterview with A. James Arnold by Justin DesmanglesInterview with A. James Arnold by Justin DesmanglesInterview with A. James Arnold by Justin Desmangles

Farmers By NatureOut of This World's Distortions Grow Aspens and Other Beautiful ThingsOut of This World's Distortions AUM - Fidelity

Tuesday, June 28, 2011

Rain by Aime Cesaire


After I had by iron by fire by ash visited the most celebrated places in history
after I had by ash fire earth and stars courted with my wild dog and leechlike
fingernails the authoritarian field of protoplasms
I found myself as usual in the old days in the middle of a factory of vipers'
nests in a ganges of cacti in an elaboration of thorny pilgrimages - and as
usual I was salivated by limbs and tongues born a thousand years before
the earth - and as usual I made my morning prayer the one that protects
me from the evil eye and that I address to the rain under the aztec color of
its name

Rain who so gently washes a perverse injection from the earth's academic
vagina
All-powerful rain who on the chopping block makes the fingers of the
rock's leap
Rain who force-feeds an army of worms no mulberry forest could nourish
Rain inspired strategist who pushes across the mirror of the air your zigzag
army of numberless riverbanks that cannot not surprise the best-kept
boredom
Rain wasp nest beautiful milk whose piglets we are
Rain I see your hair which is a perpetual explosion of sandbox tree fireworks
your hair of misinformation promptly denied
Rain who in your most reprehensible excesses takes care not to forget that
Chiriqui maidens pull suddenly from their night corsage a lamp of thrilling
fireflies
Inflexible rain who lays eggs whose larvae are so proud that nothing can
make them mount the stern of the sun and salute it like an admiral
Rain who is a fresh fish fan behind which courteous races hide to watch
victory with its dirty feet pass by
Greetings to you queen rain in the depths of the eternal goddess whose hands
are multiple and whose destiny is unique thou sperm thou brain thou fluid
Rain capable of everything except washing away the blood that flows on the
fingers of the murderers of entire peoples surprised in the soaring forests
of innocence







Aime Cesaire (photo by Denise Colomb)
(translation by A. James Arnold & Clayton Eshleman)
Solar Throat Slashed, The Unexpurgated 1948 Edition, Wesleyan University Press

Sunday, June 26, 2011

Homage to Aime Cesaire in Poetry & Jazz


New Day Jazz


Justin Desmangles

Jazz music for lovers and the lonely.

Genre
Jazz

Miss the Show?
MP3 Stream (128kbps, broadband)

MP3 Stream (32kbps, dial-up)



[View Past Shows]

[View Upcoming Shows]

Show Description for Sunday 06/26/2011

This afternoon, a special celebration of Aime Cesaire, honoring his birthday, June 26, 1913.

Also, a new essay by Cecil Brown, below.

If Racism is Over, Why are Whites Still Kicking Me in the Ass?

Next week, Amiri Baraka reviews the new biography, Malcolm X, A Life Of Reinvention, by Manning Marable.

Painting by Romare Bearden, 16 Mill Hands Lunch Bucket



Artist Song Album



Bud Powell Cleopatra's Dream The Scene Changes Blue Note


JulianAdderley Alison's Uncle Somethin' Else Blue Note


John Agard Stereotype An Evening Of International Poetry Alliance Records


John Agard Grafitti In A British Rail Waiting Room An Evening Of International Poetry Alliance Records


Max Roach featuring Anthony Braxton Dance Griot Birth And Rebirth Black Saint


Walt Dickerson Sirone Andrew Cyrille Life Rays Life Rays Soul Note

-----------------------------air break-----------------------------

Walt Dickerson & Sun Ra Visions Visions Steeple Chase


Mahmood Jamal A Gift Of Blood An Evening Of International Poetry Alliance Records


Mahmood Jamal Silence An Evening Of International Poetry Alliance Records


Gil Evans / Steve Lacy Reincarnation Of A Lovebird Paris Blues Owl


Steve Lacy Virgin Jungle The Door Novus


Okot P'Bitek Acholi Song / Song Of The Prisoner An Evening Of International Poetry Alliance Records


Clifford Brown George's Dilemma Study In Brown Emarcy

-----------------------------air break-----------------------------

Aime Cesaire (read by Justin Desmangles) Rain (translated by A. James Arnold & Clayton Eshleman) Solar Throat Slashed Wesleyan Universtiy Press


Jackie Byard Parisian Thoroughfare The Jaki Byard Experience Prestige


Mari Evans (read by Roscoe Lee Browne & James Earl Jones) This Ain't No Mass Thing A Hand Is On The Gate Verve - Folkways


Sam Rivers Involution Dimensions & Extensions Blue Note

-----------------------------air break-----------------------------

Aime Cesaire (read by Justin Desmangles) Secret Society (translated by A. James Arnold & Clayton Eshleman) Solar Throat Slashed Wesleyan Universtiy Press


Aime Cesaire (read by Justin Desmangles) Attack On Morals (translated by A. James Arnold & Clayton Eshleman) Solar Throat Slashed Wesleyan Universtiy Press


Rahsaan Roland Kirk Rahsaanica Natural Black Inventions: Root Strata Atlantic


Rahsaan Roland Kirk Raped Voices Natural Black Inventions: Root Strata Atlantic


Rahsaan Roland Kirk Haunted Feelings Natural Black Inventions: Root Strata Atlantic


Solar Throat Slashed Prelude Back Home Natural Black Inventions: Root Strata Atlantic

-----------------------------air break-----------------------------

Max Roach featuring Andy Bey Members, Don't Git Weary Members, Don't Git Weary Atlantic

Sunday, July 4, 2010

Ted Joans Birthday Celebrations with Robin D.G. Kelley




Show description for Sunday 7/4/2010 @ 3:00 PM - 5:00 PM

Robin D.G. Kelley returns to New Day Jazz this Sunday in the four o'clock hour to discuss Black Brown & Beige: Surrealist Writings From Africa & the Diaspora, co-edited with the late Franklin Rosemont. Also this afternoon, we will be celebrating the birthday of the great Black, Beat, Surrealist, Poet, Painter, Filmmaker, TED JOANS.

New Day Jazz


Justin Desmangles

Jazz music for lovers and the lonely.

Genre

Jazz

Missed the Show?

MP3 Stream 192kpbs, broadband
MP3 Stream 32kpbs, broadband

View Past Shows

View Upcoming Shows

TrackArtistSongAlbumLabelComments

Thelonious MonkLet's Cool OneThe Complete Blue Note RecordingsMosaic

Charlie ParkerOrinthologyThe Complete Dial RecordingsWarner Brothers

Dizzy GillespieDizzy AtomosphereIn The BeginingSavoy

Charles MingusLock'em UpThe Complete Candid RecordingsMosaic

Calvin C. HerntonJitterbugging In The StreetsNew Jazz PoetsBroadside

Ted Joans (Read By Justin Desmangles)Poem WhyA Black Manifesto In Jazz Poetry & Prose


Ted Joans (Read By Justin Desmangles)Pygmy Stay Away From My DoorAll Of Ted Joans & No More


Thelonious MonkApril In ParisThe Complete Blue Note RecordingsMosaic

Thelonious MonkOff MinorThe Complete Blue Note RecordingsMosaic

Charles MingusReincarnation of a LovebirdThe Complete Candid RecordingsMosaic

Charlie ParkerBird Of ParadiseThe Complete Dial RecordingsWarner Brothers

Ted Joans (Read By Justin Desmangles)Jazz Me Surreally DoDouble Trouble


Ted Joans (Read By Justin Desmangles)Poet Key World TodayDouble Trouble


Sonny RollinsReflectionsSonny Rollins Volume TwoBlue Note

Robin D.G. Kelley interviewed by Justin Desmangles




Joe HendersonCarribean Fire DanceMode For JoeBlue Note

Saturday, June 19, 2010

Poetry, Jazz & Freedom by Rene Menil


It is the existence in itself of jazz, of major importance to us, that has more than any critical thinking caused us to understand the stylistic character and content of a work in its historical context and even its limitations and to grant the value of spontaneity to these works only.

In its essence jazz is improvisation. If one created a theory of esthetics using jazz as a basis, it would mean creating it using as a means the invention of the marvelous as one went along. Because jazz itself is the result of a process using the very contradictions of being and its style consists of forming by means of music or any other means (note this also applies to poetry) - emotions and images in progression, as they occur in the minds eye. Any blockage, any laziness, any rigidification of life threatens the true development of this delicate crystallization.

No rhythm is set before the beginning.

No meaning is conceived before hand.

No rhythm, no meaning except a passion for being - a being dedicated to a desire that demands its realization - or its substitution in the sublimation of "song."

The musician doesn't know, cannot know, what his next note will be, nor will he know his next phrase, or the next possible adventure.

But he leaps like a rope-dancer on the tight rope of chance.

A work of beauty is a work of chance.

However, how many agree with Goethe when he says that the only works of lasting value are works of chance?

At this point our existence is drugged by the poison of eternity. Jazz is one of the best antidotes to that poison, creating in us the feeling of the moment, of transition.

For us, we do not hesitate to view the moment, whatever it is called, as the arena where all the problems that are common to humankind must be resolved from the world of music or any other. In the moment is found all the previous instants to a particular action in the process of becoming - since, in any thing that exists "that which has been superceded is at the same time also preserved, and in losing its immediate and apparent existence, is not destroyed." (Hegel)

The moment of being exists in the present, however, the present itself exists in a particular existence that is the outcome of its extension through duration in time.

Thus, for things that exist, there is no contradiction that cannot be reconciled between the past and the present except the one that exists in the minds of those who attempt to abstract its essence. Likewise in a society there is no contradiction between creations that are contemporary and those that are the past, between new works (not yet accepted) and the existing culture; the new creation although it may not be "valued" or regarded presently as valuable - combines all the resources of that particular social group that is being considered.

A poet is not contemporary because he is familiar with the past or has rejected it, but because he exists as a dialectical outcome of those stages of past existence. Thus at the same time, he is a living negation and a living preservation of all the old cultural forms. His contemporary aspect will be broader and of a greater value because of the fact that it is a totality formed of the past.

Cultural traditions that are reflected by the poet cannot serve as a model, there is no model for what has not yet come into existence. It will exist, however, as a pillar of the past and thus situates the poet in his time inflexibly; it makes him a poet who is modern in a time that is modern.

So much for the freedom of poetry: before us the future unformed.








Tropiques, no. 11 (1944); translated by Juliet Petremont

Taken from the anthology,
Black, Brown & Beige: Surrealist Writings From Africa and the Diaspora
edited by Franklin Rosemont & Robin D.G. Kelley
University of Texas, 2009