Showing posts with label Aime Cesaire. Show all posts
Showing posts with label Aime Cesaire. Show all posts

Monday, April 21, 2014

Robin D.G. Kelley: A Conversation on Suzanne Césaire, Surrealism, Négritude, and Black Feminism


Returning to New Day Jazz this afternoon in the 5 o'clock hour, Robin D.G. Kelley, for a discussion of Suzanne Césaire, and the recently published collection of her writings for Tropiques, The Great Camouflage.

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ArtistSongAlbumLabel
Gato Barbieri La China Leoncia Arreo La Correntinada Trajo Entre La Muchachada La Flor De La Juventud Chapter One: Latin America Impulse!
Michael White The Land of Spirit and Light The Land of Spirit and Light Impulse!
Airbreak
Andrew Hill Siete Ocho Judgement! Blue Note
Bobby Hutcherson Catta Dialogue Blue Note
Max Roach featuring Abbey Lincoln Garvey's Ghost Percussion Bitter Sweet Impulse!
Charles Mingus Passions of a Man Oh Yeah! Atlantic
Charles Mingus Tonight at Noon Tonight at Noon Atlantic
Airbreak
Art Ensemble of Chicago featuring Fontella Bass Theme de Yoyo Les Stances a Sophie Nessa
Air G.v.E. Air Time Nessa
Airbreak
Andrew Hill Diddy Wah One for One Blue Note
Andrew Hill Poinsetta One for One Blue Note
Airbreak
Duke Ellington Fleurette Africaine (African Flower) Money Jungle United Artists
Interview with Robin D.G. Kelley by Justin Desmangles Interview with Robin D.G. Kelley by Justin Desmangles Interview with Robin D.G. Kelley by Justin Desmangles Interview with Robin D.G. Kelley by Justin Desmangles
Duke Ellington Fleurette Africaine (African Flower) Money Jungle United Artists
Airbreak
Bob Dorough Small Day Tomorrow Beginning to See the Light Laissez-Faire
Ernestine Anderson Sunny Sunshine Concord

Wednesday, August 31, 2011

Solar Throat Slashed: Part Two with Clayton Eshleman


Show description for Sunday 8/28/2011 @ 3:00 PM - 6:00 PM


Our guest today on the 5 o'clock hour, Clayton Eshleman (pictured at right), discussing his most recent work, in collaboration with A. James Arnold, Solar Throat Slashed, the unexpurgated 1948 edition of the masterwork by Aimé Césaire.


Soleil cou coupé (Solar Throat Slashed) is Aimé Césaire’s most explosive collection of poetry. Animistically dense, charged with eroticism and blasphemy, and imbued with an African and Vodun spirituality, this book takes the French surrealist adventure to new heights and depths. A Césaire poem is an intersection at which metaphoric traceries create historically aware nexuses of thought and experience, jagged solidarity, apocalyptic surgery, and solar dynamite. The original 1948 French edition of Soleil cou coupé has a dense magico-religious frame of reference. In the late 1950s, Césaire was increasingly politically focused and seeking a wider audience, when he, in effect, gelded the 1948 text—eliminating 31 of the 72 poems, and editing another 29. Until now, only the revised 1961 edition, called Cadastre, has been translated. The revised text lacks the radical originality of Soleil cou coupé. This Wesleyan edition presents all the original poems en face with the new English translations. Includes an introduction by A. James Arnold and notes by Clayton Eshleman.

“Not only do Eshleman and Arnold give us excellent translations of Césaire’s at times syntactically knotty, etymologically abstruse, and semantically bedeviling verse; they also contextualize the poems—with an introduction by Arnold and endnotes by Eshleman—with crucial historical information and lucid discussions of the complexities of the poems’ language.”Brent Hayes Edwards, author of The Practice of Diaspora


ArtistSongAlbumLabel

Charles Mingus QuartetWhat Love?Charles Mingus Presents Charles MingusCandid

Mahmood JamalA Gift of BloodAn Evening of International PoetryAlliance Records

Mahmood JamalSilenceAn Evening of International PoetryAlliance Records

Bud PowellBlue PearlBud!: The Amazing Bud Powell Volume 3Blue Note

Bud PowellJohn's AbbeyTime WaitsBlue Note

Mushtaq SinghThe Respite An Evening of International PoetryAlliance Records
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Mushtaq Singh4 Lines in Urdu TranslationAn Evening of International PoetryAlliance Records

Lee MorganAll At Once, You Love HerCandy Blue Note

Bill EvansTenderlyEverybody Digs Bill EvansRiverside

Carmen McRaeHow Did He Look?BittersweetFocus

Carmen McRaeGuess I'll Hang My Tears Out To DryBittersweetFocus

Carmen McRaeThe Meaning of the BluesBittersweetFocus

Thad Jones Something To Remember You ByThe Magnificnet Thad JonesBlue Note

Accabre HuntleyEaster Monday BluesAn Evening of International PoetryAlliance Records
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Paul ChambersUntitled (Bebop Blues)Bass On TopBlue Note - Japan

Billie HolidayA Fine RomanceAll or Nothing AllVerve

Billie HolidayCheek to CheekAll or Nothing AllVerve

Charles MingusBugsComplete Candid RecordingsMosaic

Cecil RajendraThe Animal & Insects ActAn Evening of International PoetryAlliance Records

Gil Evans OrchestraStratusphunkOut of the CoolImpulse
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Beverly KenneyA Woman's IntuitionSings For PlayboysDecca

Beverly KenneyYou're My BoySings For PlayboysDecca

Beverly KenneyWhat Is Thre To SaySings For PlayboysDecca

Bill EvansWhat Is Thre To Say?Everybody Digs Bill EvansRiverside
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Bill EvansApril In Paris (excerpt)Solo SessionsMilestone

Interview with Clayton Eshleman by Justin DesmanglesInterview with Clayton Eshleman by Justin DesmanglesInterview with Clayton Eshleman by Justin DesmanglesInterview with Clayton Eshleman by Justin Desmangles

Bill EvansApril In Paris (excerpt)Solo SessionsMilestone

Wednesday, August 24, 2011

Aime Cesaire: Solar Throat Slashed, Part One with A. James Arnold


Show description for Sunday 8/21/2011 @ 3:00 PM - 6:00 PM


Our guest today on the 5 o'clock hour, A. James Arnold, discussing his most recent work, in collaboration with Clayton Eshelman, Solar Throat Slashed, the unexpurgated 1948 edition of the masterwork by Aimé Césaire.

A. JAMES ARNOLD is an emeritus professor of French at the University of Virginia. He is the lead editor of Césaire's complete literary works in French (in progress) and author of Modernism and Negritude: The Poetry and Poetics of Aimé Césaire.

Soleil cou coupé (Solar Throat Slashed) is Aimé Césaire’s most explosive collection of poetry. Animistically dense, charged with eroticism and blasphemy, and imbued with an African and Vodun spirituality, this book takes the French surrealist adventure to new heights and depths. A Césaire poem is an intersection at which metaphoric traceries create historically aware nexuses of thought and experience, jagged solidarity, apocalyptic surgery, and solar dynamite. The original 1948 French edition of Soleil cou coupé has a dense magico-religious frame of reference. In the late 1950s, Césaire was increasingly politically focused and seeking a wider audience, when he, in effect, gelded the 1948 text—eliminating 31 of the 72 poems, and editing another 29. Until now, only the revised 1961 edition, called Cadastre, has been translated. The revised text lacks the radical originality of Soleil cou coupé. This Wesleyan edition presents all the original poems en face with the new English translations. Includes an introduction by A. James Arnold and notes by Clayton Eshleman.

“Not only do Eshleman and Arnold give us excellent translations of Césaire’s at times syntactically knotty, etymologically abstruse, and semantically bedeviling verse; they also contextualize the poems—with an introduction by Arnold and endnotes by Eshleman—with crucial historical information and lucid discussions of the complexities of the poems’ language.”Brent Hayes Edwards, author of The Practice of Diaspora

“Since Césaire first came into our view, he has seemed to some of us to be, with Breton and Artaud, one of the three truly unbounded poets of Surrealism—not so much lyrical, as with some other, more readily accessible poets (Eluard and Desnos the finest among them), but as Diderot had it over two centuries ago: the maker of a poetry that was and had to be ‘barbaric, vast and wild.’ It is the genius of the present gathering to rescue from previous editings and literary compromises the full force of Césaire’s remarkable 1948 work, Soleil cou coupé/Solar Throat Slashed. The result—in both the original French and in Eshleman’s and Arnold’s remarkable and no-holds-barred translation—is a reconstituted masterwork of the twentieth century and ample grist for the century to come.”Jerome Rothenberg, editor of Technicians of the Sacred







ArtistSongAlbumLabel

William Parker featuring Leena ConquestIf There's A Hell BelowI Plan To Stay A BelieverAUM - Fidelity

William Parker Organ QuartetThe StruggleUncle Joe's Spirit House Centering Music

Wasimxzama Khan NaseriKavaliMusic In the World of Islam: VoicesTopic Records

Dunya YunisAbu ZelufMusic In the World of Islam: VoicesTopic Records
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Henry Threadgill ZooidExtremely Sweet WilliamThis Brings Us To, Vol. 2Pi

Henry Threadgill ZooidPolymorphThis Brings Us To, Vol. 2Pi

Henry Grimes & Rashied AliRapid TransitSpirits AloftPorter

Michael BisioTravel MusicTravel Musicmichaelbisio.com
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Louie Belogenis TrioTiresiasTiresiasPorter

Henry Threadgill ZooidWhite Wednesday Off the WallThis Brings Us To, Vol. 1Pi
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Farmers By NatureOut of This World's Distortions Grow Aspens and Other Beautiful ThingsOut of This World's DistortionsAUM - Fidelity

Interview with A. James Arnold by Justin DesmanglesInterview with A. James Arnold by Justin DesmanglesInterview with A. James Arnold by Justin DesmanglesInterview with A. James Arnold by Justin Desmangles

Farmers By NatureOut of This World's Distortions Grow Aspens and Other Beautiful ThingsOut of This World's Distortions AUM - Fidelity

Tuesday, June 28, 2011

Rain by Aime Cesaire


After I had by iron by fire by ash visited the most celebrated places in history
after I had by ash fire earth and stars courted with my wild dog and leechlike
fingernails the authoritarian field of protoplasms
I found myself as usual in the old days in the middle of a factory of vipers'
nests in a ganges of cacti in an elaboration of thorny pilgrimages - and as
usual I was salivated by limbs and tongues born a thousand years before
the earth - and as usual I made my morning prayer the one that protects
me from the evil eye and that I address to the rain under the aztec color of
its name

Rain who so gently washes a perverse injection from the earth's academic
vagina
All-powerful rain who on the chopping block makes the fingers of the
rock's leap
Rain who force-feeds an army of worms no mulberry forest could nourish
Rain inspired strategist who pushes across the mirror of the air your zigzag
army of numberless riverbanks that cannot not surprise the best-kept
boredom
Rain wasp nest beautiful milk whose piglets we are
Rain I see your hair which is a perpetual explosion of sandbox tree fireworks
your hair of misinformation promptly denied
Rain who in your most reprehensible excesses takes care not to forget that
Chiriqui maidens pull suddenly from their night corsage a lamp of thrilling
fireflies
Inflexible rain who lays eggs whose larvae are so proud that nothing can
make them mount the stern of the sun and salute it like an admiral
Rain who is a fresh fish fan behind which courteous races hide to watch
victory with its dirty feet pass by
Greetings to you queen rain in the depths of the eternal goddess whose hands
are multiple and whose destiny is unique thou sperm thou brain thou fluid
Rain capable of everything except washing away the blood that flows on the
fingers of the murderers of entire peoples surprised in the soaring forests
of innocence







Aime Cesaire (photo by Denise Colomb)
(translation by A. James Arnold & Clayton Eshleman)
Solar Throat Slashed, The Unexpurgated 1948 Edition, Wesleyan University Press

Sunday, June 26, 2011

Homage to Aime Cesaire in Poetry & Jazz


New Day Jazz


Justin Desmangles

Jazz music for lovers and the lonely.

Genre
Jazz

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Show Description for Sunday 06/26/2011

This afternoon, a special celebration of Aime Cesaire, honoring his birthday, June 26, 1913.

Also, a new essay by Cecil Brown, below.

If Racism is Over, Why are Whites Still Kicking Me in the Ass?

Next week, Amiri Baraka reviews the new biography, Malcolm X, A Life Of Reinvention, by Manning Marable.

Painting by Romare Bearden, 16 Mill Hands Lunch Bucket



Artist Song Album



Bud Powell Cleopatra's Dream The Scene Changes Blue Note


JulianAdderley Alison's Uncle Somethin' Else Blue Note


John Agard Stereotype An Evening Of International Poetry Alliance Records


John Agard Grafitti In A British Rail Waiting Room An Evening Of International Poetry Alliance Records


Max Roach featuring Anthony Braxton Dance Griot Birth And Rebirth Black Saint


Walt Dickerson Sirone Andrew Cyrille Life Rays Life Rays Soul Note

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Walt Dickerson & Sun Ra Visions Visions Steeple Chase


Mahmood Jamal A Gift Of Blood An Evening Of International Poetry Alliance Records


Mahmood Jamal Silence An Evening Of International Poetry Alliance Records


Gil Evans / Steve Lacy Reincarnation Of A Lovebird Paris Blues Owl


Steve Lacy Virgin Jungle The Door Novus


Okot P'Bitek Acholi Song / Song Of The Prisoner An Evening Of International Poetry Alliance Records


Clifford Brown George's Dilemma Study In Brown Emarcy

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Aime Cesaire (read by Justin Desmangles) Rain (translated by A. James Arnold & Clayton Eshleman) Solar Throat Slashed Wesleyan Universtiy Press


Jackie Byard Parisian Thoroughfare The Jaki Byard Experience Prestige


Mari Evans (read by Roscoe Lee Browne & James Earl Jones) This Ain't No Mass Thing A Hand Is On The Gate Verve - Folkways


Sam Rivers Involution Dimensions & Extensions Blue Note

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Aime Cesaire (read by Justin Desmangles) Secret Society (translated by A. James Arnold & Clayton Eshleman) Solar Throat Slashed Wesleyan Universtiy Press


Aime Cesaire (read by Justin Desmangles) Attack On Morals (translated by A. James Arnold & Clayton Eshleman) Solar Throat Slashed Wesleyan Universtiy Press


Rahsaan Roland Kirk Rahsaanica Natural Black Inventions: Root Strata Atlantic


Rahsaan Roland Kirk Raped Voices Natural Black Inventions: Root Strata Atlantic


Rahsaan Roland Kirk Haunted Feelings Natural Black Inventions: Root Strata Atlantic


Solar Throat Slashed Prelude Back Home Natural Black Inventions: Root Strata Atlantic

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Max Roach featuring Andy Bey Members, Don't Git Weary Members, Don't Git Weary Atlantic