|Miles Davis / Gil Evans||Prayer (Oh, Doctor Jesus)||Porgy and Bess||Columbia||August 4, 1958|
|Miles Davis / Gil Evans||Fisherman, Strawberry and Devil Crab||Porgy and Bess||Columbia||July 29, 1958|
|Miles Davis / Gil Evans||My Man's Gone Now||Porgy and Bess||Columbia||July 22, 1958|
|Miles Davis||Diner au motel||Ascenseur pour l'échafaud||Fontana||December 4 & 5, 1957|
|Miles Davis||Evasion de Julian||Ascenseur pour l'échafaud||Fontana||December 4 & 5, 1957|
|Miles Davis||Visite du vigile||Ascenseur pour l'échafaud||Fontana||December 4 & 5, 1957|
|Miles Davis||Au bar du Petit Bac||Ascenseur pour l'échafaud||Fontana||December 4 & 5, 1957|
|Miles Davis||Boplicity||Birth of the Cool||Capitol||April 22, 1949|
|Miles Davis||Venus de Milo||Birth of the Cool||Capitol||April 22, 1949|
|Miles Davis||Israel||Birth of the Cool||Capitol||April 22, 1949|
|Miles Davis||Rouge||Birth of the Cool||Capitol||April 22, 1949|
|Sun Ra and His Arkestra||The Blue Set||Sun Ra Singles Vol. 2||Strut / Artyard||June 14 1960|
|Sun Ra and His Arkestra||Big City Blues||Sun Ra Singles Vol. 2||Strut / Artyard||June 14 1960|
|Sun Ra and His Astro Solar Infinity Arkestra||Blues on Planet Mars||Sun Ra Singles Vol. 2||Strut / Artyard||September 22, 1968|
|Sun Ra and His Astro Solar Infinity Arkestra||Saturn Moon||Sun Ra Singles Vol. 2||Strut / Artyard||September 22, 1968|
|Sun Ra and His Arkestra featuring Pat Patrick||A Blue One||Sun Ra Singles Vol. 2||Strut / Artyard||c. 1962|
|Sun Ra and His Arkestra featuring Pat Patrick||Orbitration in Blue||Sun Ra Singles Vol. 2||Strut / Artyard||c. 1962|
|Sun Ra and His Astro Solar Infinity Arkestra||I'm Gonna Unmask the Batman||Sun Ra Singles Vol. 2||Strut / Artyard||July 4, 1974|
|Sun Ra and His Astro Solar Infinity Arkestra||The Perfect Man||Sun Ra Singles Vol. 2||Strut / Artyard||May 24, 1973|
|Sun Ra||Disco 2021||Sun Ra Singles Vol. 2||Strut / Artyard||January 23, 1978|
|Sun Ra||Rough House Blues||Sun Ra Singles Vol. 2||Strut / Artyard||May 1979|
|Sun Ra and His Astro Solar Infinity Arkestra||Discipline 8||Discipline 27-II||Strut / Artyard||c. 1973|
|Sun Ra and His Arkestra||Calling Planet Earth / We'll Wait For You||Thunder of the Gods||Modern Harmonic||c. 1973|
|Justin Desmangles in Conversation with Joshua Clover||Justin Desmangles in Conversation with Joshua Clover||Justin Desmangles in Conversation with Joshua Clover||Justin Desmangles in Conversation with Joshua Clover||Justin Desmangles in Conversation with Joshua Clover|
Monday, April 23, 2018
C.D. Wright's Letter to Ishmael Reed Seeking Employment at Before Columbus Foundation, August 28, 1979
Dear Ishmael Reed,
I sold the printing equipment in July and moved myself and the Lost Roads inventory to SF this month. Since I have been here I’ve had the flu, the blues, the hives, and a stopped up head. Now that’s all clearing up and I am ready to go back on line, finish my manuscript, continue with Frank’s work, and with Lost Roads, as well as, with some kind of employment. The latter being why I am writing to you. While I am aware the job I aspire to probably doesn’t exist, I’m still applying. As the publisher/editor and sole staff member of Lost Roads I’ve acquired some skills I’d like to put to use: I’ve learned the fundamentals of offset printing, done the typesetting, layout, camera work, stripping, plate burning, design, type and paper selection and ordering, silkscreening; coordinated distribution, edited manuscripts, handled correspondence, written grants, filled out legal forms, tax forms, done the mailing and the billing, etc., etc. I’ve spent my free time perusing the California literary scene, and the only one that makes any damn sense to me is the activity around Before Columbus, Y’bird, and Reed, Cannon and Johnson. With all those irons in the fire – even if all the printing and design work is jobbed out – you still have to maintain some semblance of a staff. Don’t you? If not maybe you have a lead or two for me. After three years as a grad assistant, two years on a grant, and a year running LR I am spoiled – I just don’t want to work for a fool. I want to work for who I want to work for – else I just don’t care what happens. I go to pot.
I have a standard resume if you want to see it.
And I have time at your convenience if you could talk to me about this.
I move into an apt this weekend but won’t have a phone for a few weeks. A message can be left for me at 552-5464 or a card at the LR p.o. would do. Meanwhile I may keep trying to reach you at Before Columbus.
My thanks, appreciation, the best,
Thursday, March 29, 2018
|Sonny Stitt||The String||Only the Blues||Verve||October 11, 1957|
|Ben Webster||Jive at Six||King of the Tenors||Verve||December 8, 1953|
|Bud Powell||Bud's Bubble||Bud Powell Trio||Royal Roost||January 10, 1947|
|Bud Powell||Off Minor||Bud Powell Trio||Royal Roost||January 10, 1947|
|Gigi Gryce||Nica's Tempo||Gigi Gryce Quartet And Orchestra||Savoy||October 15, 1955|
|Miles Davis||Swing Spring||Miles Davis and the Modern Jazz Giants||Prestige||December 24, 1954|
|Thelonious Monk||Skippy (alternate take)||More Genius Of Thelonious Monk||Blue Note - Japan||May 30, 1952|
|Thelonious Monk||Hornin' In (alternate take)||More Genius Of Thelonious Monk||Blue Note - Japan||May 30, 1952|
|Sarah Vaughan||I'm Glad There Is You||Sarah Vaughan||EmArcy||December 16, 1954|
|Sarah Vaughan||You're Not the Kind||Sarah Vaughan||EmArcy||December 16, 1954|
|Sonny Clark||I Didn't Know What Time It Was||Sonny Clark Trio||Blue Note||October 13, 1957|
|Sonny Clark||Little Sonny||Sonny Clark Quintets||Blue Note - Japan||December 8, 1957|
|Betty Carter||I Don't Want to Set the World on Fire||The Modern Sound of Betty Carter||ABC-Paramount||August 1960|
|Betty Carter||Remember||The Modern Sound of Betty Carter||ABC-Paramount||August 1960|
|Barry Harris||I Didn't Know What Time It Was||Newer Than New||Riverside||September 28, 1961|
|Barry Harris||Make Haste||Newer Than New||Riverside||September 28, 1961|
|Kenny Dorham||Beautiful Love||Matador||United Artists||April 15, 1962|
|Kenny Dorham||Prelude||Matador||United Artists||April 15, 1962|
|Carmen McRae||If You Could See Me Now||Bittersweet||Focus||c. 1964|
|Carmen McRae||Here's That Rainy Day||Bittersweet||Focus||c. 1964|
|Ted Curson||Antibes||Plenty of Horn||Old Town||April 11, 1961|
|Vaughn Rasberry in Conversation with Justin Desmangles||Vaughn Rasberry in Conversation with Justin Desmangles||Vaughn Rasberry in Conversation with Justin Desmangles||Vaughn Rasberry in Conversation with Justin Desmangles||Vaughn Rasberry in Conversation with Justin Desmangles|
|Pierre Dørge and Walt Dickerson||Tai-Gong||Landscape With Open Door||SteepleChase||c. 1979|
Thursday, March 22, 2018
by Justin Desmangles
"Find out just what any people will quietly submit to and you have found out the exact measure of injustice and wrong which will be imposed upon them, and these will continue till they are resisted with either words or blows, or with both. The limits of tyrants are prescribed by the endurance of those whom they oppress." ~ Frederick Douglass, If There Is No Struggle, There Is No Progress (1857)
In February of 2007 I was arrested for crimes that I did not commit. Despite my innocence, I was held for seven weeks at San Francisco County Jail - San Bruno, waiting for a bail hearing. The District Attorney’s office made an offer. They would dismiss the felony charges against me in exchange for a guilty plea to a misdemeanor, sending me back to jail for the year. There was one problem, I wasn’t guilty of anything. Despite the fact that a felony conviction would lead to a lengthy prison sentence, I refused the D.A.’s offer and spent the next ten months fighting my case. It destroyed my life, but I had my freedom in the end.
Despite what one sees on television and in the movies, juried criminal trials are rare in America. Typically, a person arrested will be charged with the maximum penalties available to the arresting officer. A simple jay-walking could be blown-up to obstructing traffic, adjusting your arms while handcuffed could become resisting arrest. Police always exaggerate far beyond the reality of the circumstances they encounter when detaining someone. Making a case for the D.A. to easily win is part of their job, they believe, and D.A.’s rarely if ever lose.
Here’s how it works. The police ramp-up accusations of wrong-doing that are so egregious, carrying such intimidating punishments, that the D.A. will offer a plea bargain somewhere in the middle. Most defendants, not all but most, take the plea bargain as commonsense, being instructed to do so as they often are by legal counsel. My decision to fight for my freedom is almost unheard of in the contemporary criminal-justice system, with success falling below single digit percentiles.
Whether you are for or against mass incarceration of Blacks and Latinos, the factors leading to it are invariably the same, racial profiling, prosecutorial misconduct, and disproportionate sentencing. There is also a profit motive to keeping millions of Blacks and Latinos locked up, which I will get into a bit later in this essay.
Racial profiling has all but been legalized by directives emerging from the Justice Department under Jeff Sessions, endorsed heartily by Donald Trump, aided and abetted by a market-driven U.S. culture industry. The flames of irrational fear are continuously being fanned high by official statements coming from federal, state, and local law enforcement around the country. Mainstream film and television broadcasting throw gasoline on that same fire by surreptitiously presenting images of Blacks, Latinos, and increasingly Muslims, as those of virulent criminals. It is important here to remember that Jeff Sessions was one the earliest and most powerful supporters of Trump’s bid for the presidency, with one of Trump’s earliest institutional endorsements coming from the Fraternal Order of Police.
Sessions and the F.O.P. had a long wish list beginning January 20, 2017, and they expected results. The F.O.P. went so far as to issue a set of policy directives to the incoming administration the previous month in the form of a press release titled The First 100 Days. Despite whatever nonsense corporate news has drummed-up about dissention between Trump and Sessions, they’ve been getting those wishes fulfilled.
Trump has enjoyed playing the role of political Santa Claus with many of the most backward and criminal money-men in the Republican Party, rolling back and rescinding every Obama era rule and regulation possible.
Here are a few examples. In late February, 2017, Sessions directed the Justice Department to end Federal oversight of America’s police departments proven to have internal cultures of racial prejudice and abuse. The strategy had been implemented by the Obama administration to fight racial profiling and hold violent officers accountable. This in the wake of innumerable examples of brutality and murder that had gone unpunished. That same week, Sessions dropped any objections on the part of the Justice Department to a Texas voter-identification law that had been understood by the Obama administration as an unconstitutional violation of voting rights. That Texas law had been crafted in 2011 by the Republican Party to further negate the potential votes of Blacks and Latinos, as well as left-leaning young people, in their state. The Obama administration had been pursuing the case against Texas since 2013. As the New York Times correctly observed that month, “Under the Trump administration, the Civil Rights Division of the Justice Department is expected to undergo the most severe shift in philosophy of any other section under the Trump administration, and Mr. Sessions appears to be quickly meeting those expectations.”
By the second week of March in 2017, Sessions had asked forty-six Obama-appointed U.S. attorneys in the Justice Department to resign. At the end of that same month, Sessions released a memo directing all those in the Department to immediately review activities and investigations “including collaborative investigations and prosecutions, grant making, technical assistance and training, compliance reviews, existing or contemplated consent decrees, and task force participation” to verify that they were in compliance with the Trump administration. The review of consent decrees was specifically meant to derail Federal investigations of existing police corruption, specifically in Chicago and Baltimore.
Returning to the aforementioned question of minimum sentencing and the radical expansion of the prison population as a result, it should be remembered that it was Bill Clinton who championed such measures well over a decade previously. In his administration’s capitulation to the so-called Gingrich Revolution, Clinton sponsored the Crime Omnibus Bill, subsequently incarcerating more Blacks and Latinos than the previous two presidents, Reagan and Bush, combined. During his wife’s second failed bid for the White House, the former president would apologize for the insistence on minimum sentencing, underlining it as a mistake and the root cause of racially biased mass incarceration. The Obama administration had worked to end the rules that bound judges to impose such draconian measures, as they had indeed proved to be invariably racist.
By May of 2017, Sessions was directing Federal prosecutors to seek the maximum sentence possible in all cases, charging defendants with the most severe crimes available to their circumstances, overturning the Obama administration’s previous directives. That July, Sessions reversed yet another Obama era rule, dramatically reinstating property seizures, such as cars and money, of those accused or suspected of a crime, even if the charges did not necessarily end in a conviction. Later that month, Trump told police gathered in Long Island for a speech on illegal immigration not to worry about injuring suspects during an arrest.
By the end of summer, Sessions, with Trump’s support, was redirecting the Civil Rights Division of the Justice Department to investigate race-based preferences in college admissions. Preferences he viewed as possibly criminal. That September, Sessions defended far-right activists, including Neo-Nazis, as exercising free-speech as protected by the constitution. Before the year was out, Sessions would revoke 25 legal guidance documents used by the Department of Justice since 1975, saying they provoked “confusion.” Just before New Year’s Day, Sessions would reopen the legal doors to potentially enfranchise debtor’s prisons nationally for the poor and indigent.
All of which brings us to today. At the end of February this year, the Supreme Court reversed an earlier 9th Circuit Court ruling, Jennings v. Rodriguez, thus making it legal to detain immigrants indefinitely. This decision followed hot-on-the-heels of Sessions abolishment of an Obama administration rule barring Federal contracting with the private prison industry. It is no secret that this these for-profit private prisons are the main artery through which ICE channels those it detains. Many thousands of those detained are children, all are kept in deplorable conditions with little of the oversight one finds in government-run facilities. The private-prison industries are also a major source of funding for Republican candidates throughout the country.
As if to open the doors further for this money-making venture disguised as law-and-order, in early March, Sessions made a rare visit to California’s capitol, Sacramento, to announce litigation against the state’s “sanctuary cities.” Sessions delivered his remarks at the 26th annual Law Enforcement Legislative Day hosted by the California Peace Officers' Association, saying “California, we have a problem. A series of actions and events has occurred that directly and adversely impact the work of our federal officers. For example, the mayor of Oakland (Libby Schaaf) has been actively seeking to help illegal aliens avoid apprehension by ICE. Her actions support those who flout our laws and boldly validate the illegality. There's no other way to interpret her remarks. To make matters worse, the elected Lieutenant Governor (Gavin Newsome) of this state praised her for doing so. Bragging about and encouraging the obstruction of our law enforcement and the law is an embarrassment to this proud and important state. . . . In recent years, California has enacted a number of laws designed to intentionally obstruct the work of our sworn immigration enforcement officers--to intentionally use every power it has to undermine duly-established immigration law in America. . . . California has also claimed the authority to inspect facilities where ICE holds people in custody.”
Trump followed up soon after, using his weekly address to all but declare war on California, imploring congress to cut-off Federal dollars funding any municipality that supports “sanctuary” policies for immigrants. Trump stated unequivocally, “The State of California is sheltering dangerous criminals in a brazen and lawless attack on our Constitutional system of government. Every state in our Union is subject to the laws and Constitution of the United States – including California. Yet California’s leaders are in open defiance of federal law. They don’t care about crime. They don’t care about death and killings. They don’t care about robberies. They don’t care about the kind of things that you and I care about.”
Soon after, an official spokesman for ICE in California, James Schwab, resigned in protest, citing both Sessions and Trump’s exaggerations of the threats posed by immigrants in California. Speaking to the San Francisco Chronicle, Schwab said, “I quit because I didn’t want to perpetuate misleading facts. I asked them to change the information. I told them that the information was wrong, they asked me to deflect, and I didn’t agree with that. Then I took some time, and I quit.”
While the threat of so-called illegal immigration to the United States has most certainly been exaggerated by both Sessions and Trump, their very real threats to California cannot be overstated. Unlike the Eastern states, or even those of the Mid-West and South, California was never entirely settled. These new threats are attempts to do just that in classic circle-the-wagons settler fashion. In point of fact, the 19th century was all but half-way over before California even joined the Union. Its status within the Republic has always occupied both the center and the absolute margins, socially, politically, economically, culturally. The Trump-Sessions junta in American politics should not only be supremely resisted, it should be destroyed. California is the only state with the power to do so with a democratic super-majority, leading the nation as it has in the past.
As it stands, another Obama policy upended by Trump at the behest of the F.O.P. and enthusiastically embraced by Sessions, is the continued arming of local police forces with military-grade arms and equipment. Gifts from Homeland Security and the Department of Defense. As all of the above changes continue unabated, it will not be long before we see more and more of this type of equipment being deployed by local police forces, as we did in Ferguson, MO. and Baltimore, MD.
ICE and the Justice Department are spoiling for a fight, particularly in Oakland, California and the greater Bay Area, as they made excruciatingly clear in the early weeks of March, 2018.
In the late 1940’s, the jazz standard, Just You, Just Me, was transformed by Thelonious Monk, becoming the original composition Just Us, later titled Justice, and finally known as Evidence. I think he had a point. Without evidence there will be no justice, and without either, it will stay just us, and if we’re not careful, each one of us will be left saying “just me.”
(this essay was originally published March 22, 2018 in Konch)
Monday, December 4, 2017
|Tony Williams||Extras||Spring||Blue Note||August 12, 1965|
|Tony Williams||Echo||Spring||Blue Note||August 12, 1965|
|Myron O'Higgins (Gloria Foster)||To a Young Poet||A Hand Is on the Gate||Verve-Folkways||September 1966|
|James Vaughn (Roscoe Lee Browne)||from Four Questions||A Hand Is on the Gate||Verve-Folkways||September 1966|
|Eric Dolphy||Straight Up and Down||Out to Lunch!||Blue Note||February 25, 1964|
|Cecil Taylor||Tales (8 Whisps)||Unit Structures||Blue Note||May 19, 1966|
|Art Blakey and the Jazz Messengers||Calling Miss Khadija||Indestructible!||Blue Note||May 15, 1964|
|Art Taylor||Move||A.T.'s Delight||Blue Note||August 6, 1960|
|Max Roach||Filide||Deeds, Not Words||Riverside||September 4, 1958|
|Chet Baker||Do It the Hard Way||It Could Happen to You||Riverside||August 1958|
|Chet Baker||I'm Old Fashioned||It Could Happen to You||Riverside||August 1958|
|Elvin Jones||Shadowland||Elvin!||Riverside||December 27, 1961|
|Elvin Jones||Pretty Brown||Elvin!||Riverside||July 11, 1961|
|Andy and the Bey Sisters||Love is Just Around the Corner, I Love You, Love You Madly||'Round Midnight||Prestige||c. 1965|
|Sam Rivers||Upstairs Blues Downstairs||Fuchsia Swing Song||Blue Note||December 11, 1964|
|Sun Ra||Call for All Demons||Sun Ra Singles Vol. 1||Strut / Art Yard||tba|
|The Cosmic Rays||Dreaming||Sun Ra Singles Vol. 1||Strut / Art Yard||tba|
|Sun Ra||Great Balls of Fire||Sun Ra Singles Vol. 1||Strut / Art Yard||tba|
|Sun Ra featuring Pat Patrick||The Blue One||Sun Ra Singles Vol. 2||Strut / Art Yard||tba|
|Duke Ellington||Money Jungle||Money Jungle||United Artists||September 17, 1962|
|Duke Ellington||Fleurette Africaine (African Flower)||Money Jungle||United Artists||September 17, 1962|
|Marc Anthony Richardson in Conversation with Justin Desmangles||Marc Anthony Richardson in Conversation with Justin Desmangles||Marc Anthony Richardson in Conversation with Justin Desmangles||Marc Anthony Richardson in Conversation with Justin Desmangles||Marc Anthony Richardson in Conversation with Justin Desmangles|
|Jimmy Giuffre||In the Mornings Out There||Jimmy Giuffre 3||ECM|
|Jimmy Giuffre||Goodbye||Jimmy Giuffre 3||ECM|
Saturday, November 18, 2017
|Ray Charles||What'd I Say||What'd I Say||Atlantic||February 18, 1959|
|Hank Ballard||Kansas City||What You Get When the Gettin Gets Good||Charly R&B||November 13, 1958|
|T-Bone Walker||The Natural Blues||The Natural Blues||Charly R&B||c. 1946|
|J.B. Hutto||Combination Blues||Combination Blues||Charly R&B||c. 1954|
|Howlin' Wolf||Well That's Alright||The Legendary Sun Performers||Charly R&B||April 17, 1952|
|Snooky Pryor||Someone to Love Me||Combination Blues||Charly R&B||c. 1956|
|Eddie Cleanhead Vinson||Hold It Right There||Back In Town||Charly R&B||September 1957|
|Willie Nix||All By Myself||Combination Blues||Charly R&B||c. 1953|
|Hadda Brooks||Romance in the Dark||Romance in the Dark||Jukebox Lil||c. 1946|
|Lloyd Glenn||Midnight Boogie||Texas Man||Jukebox Lil||December 26, 1947|
|Roy Hamilton||Blue Turning Grey||Big Fat Mama||Jukebox Lil||December 27, 1947|
|Savannah Churchill||The Things You Do to Me||Time Out For Tears||Jukebox Lil||Autumn 1948|
|James Moody||I'm in the Mood for Love||James Moody and His Swedish Crowns||Dragon||October 12, 1949|
|Big Jay McNeely||Willie the Cool Cat||Road House Boogie||Saxophonograph||February 1949|
|Smiley Lewis||Gumbo Blues||Caldonia's Party||K.C.||c. 1952|
|Washboard Sam||River Hip Mama||Washboard Sam||B.O.B.||February 10, 1942|
|Illinois Jacquet||Diggin' the Count||The Fabulous Apollo Sessions||Vogue||May 21, 1947|
|Little George Smith||Oopin' Doopin' Doopin'||Oopin' Doopin' Doopin'||Ace||c. 1956|
|Sister Rosetta Tharpe||Strange Things Happening Every Day||Boogie Blues: Women Sing & Play Boogie Woogie||Rosetta Records||September 22, 1944|
|Dinah Washington||Wise Woman Blues||Wise Woman Blues||Rosetta Records||December 1945|
|Mary Lou Williams||Boogie Misterioso||Boogie Blues: Women Sing & Play Boogie Woogie||Rosetta Records||July 24, 1946|
|Nora King Lee||Canonball||Sorry But I Can't Take You: Women's Railroad Blues||Rosetta Records||February 9, 1942|
|Memphis Minnie||Shout the Boogie||Boogie Blues: Women Sing & Play Boogie Woogie||Rosetta Records||December 27, 1947|
|Hadda Brooks||Bully Wooly Boogie||Boogie Blues: Women Sing & Play Boogie Woogie||Rosetta Records||c. 1946|
|Ethel Waters||Push Out||The Complete Bluebird Sessions||Rosetta Records||August 15, 1939|
|Sam Price (Jimmie Gordon)||Sail with Me||Singing with Sammy Vol. 1||Swingtime||May 18, 1938|
|Sam Price (Yack Taylor)||Whip It to a Jelly||Singing with Sammy Vol. 1||Swingtime||July 23, 1941|
|Charles Brown||My Heart is Mended||Sunny Road||Route 66||May 20, 1955|
|Bull Moose Jackson||Big Fat Mama's Are Back in Style||Big Fat Mama's Are Back in Style||Route 66||September 27, 1950|
|Ella Fitzgerald||Louisville, Kentucky||Forever Young: Ella Fitzgerald Vol. 2||Swingtime||January 8, 1941|
|Leo Watson (Artie Shaw)||Freewheeling||Leo Watson: The Scat Man||Swingtime||September 17, 1937|
|Big Joe Turner (Joe Sullivan)||Lowdown Dirty Shame||Start to Jump Because It's Jubilee||Swingtime||February 9, 1940|
|John Lee Hooker||High Priced Woman||House of the Blues||Charly R&B||c. 1951|
|Muddy Waters||Screamin' and Cryin'||The Real Folk Blues||Charly R&B||c. 1949|
|Lowell Fulson||Swingin' Party||Lowell Fulson||Charly R&B||c. 1962|
|Miles Davis (Leonard Bernstein)||Sweet Sue, Just You||What Is Jazz?||Columbia||September 10, 1956|
|Ray Charles||That's Enough||What'd I Say||Atlantic||May 28, 1957|
|Hank Ballard||Sexy Ways||What You Get When the Gettin Gets Good||Charly R&B||April 24, 1954|
|Eddie Cleanhead Vinson||Cleanhead's Back in Town||Back In Town||Charly R&B||September 1957|
|Toni Harper||Candy Store Blues||Candy Store Blues||Official||December 26, 1947|
|Dinah Washington||Pillow Blues||The Complete Dinah Washington Vol. 8||Official||May 6, 1952|
|Carmen McRae||Moonray||Invitation||Official||February 1958|
|Michel Legrand||Wild Man Blues||Legrand Jazz||Columbia||June 25, 1958|
|Michel Legrand||Django||Legrand Jazz||Columbia||June 25, 1958|
|Django Reinhardt||I'll See You In My Dreams||Solos/Duets/Trios, Volume 2||Inner City||c. 1937|
|Django Reinhardt||Improvisation||Solos/Duets/Trios, Volume 2||Inner City||c. 1937|
|Django Reinhardt||Viper's Dream||The Quintet Of The Hot Club Of France||Inner City||November 11, 1937|
|Savannah Churchill||My Baby-kin||Time Out For Tears||Jukebox Lil||c. 1947|
|Hadda Brooks||Close Your Eyes||Romance in the Dark||Jukebox Lil||c. 1949|
|Hadda Brooks||Hungary (Gypsy) excerpt||Romance in the Dark||Jukebox Lil||c. 1947|
|The Brass Ensembles of the Jazz and Classical Music Society||Three Little Feelings||Music For Brass||Columbia||October 20, 1956|