Showing posts with label Will Alexander. Show all posts
Showing posts with label Will Alexander. Show all posts

Monday, February 6, 2012

Will Alexander and the Ancient Future

Show description for Sunday 2/5/2012 @ 3:00 PM - 6:00 PM

This afternoon, on the 5 o'clock hour, poet, playwright, novelist, Will Alexander. We will be discussing his most recent works, Diary as Sin, Inside the Earthquake Palace: 4 Plays, and Mirach Speaks to His Grammatical Transparents.

“I am not of one persona, not of one mystery, but arrayed with intransigent neurons and timings. … I’ve splintered my own trajectory from a fissioning of threats which have issued from my great monomial leprosy. Which has created in me a raw ascensional vastitude, allowing me further millennia although the bodies about me will all have been destroyed. Because I speak out of blindness I am able to respond to spiritual extremity, which has transmuted dearth and soulless nightmare relations. Of course I am speaking from auto-causality, from an enriched alkaline insurrection, altricial, haunted, partaking cacophony from the cinders of nauseous aeronautics. Because I am Mexican and Seminole I breed schisms, I breed eloquent ransacking laws." -

Rosanna Galvez from Diary as Sin


ArtistSongAlbumLabel

Mary Lou WilliamsThey Can't Take That Away From MeThe First Lady of the PianoInner City

Mary Lou WilliamsLady BirdThe First Lady of the PianoInner City

Dizzy GillespieDizzy Song (Lady Bird)Jazz Time Paris, Vol. 2Vogue

Miles Davis & Gil EvansSpringsvilleMiles AheadColumbia

Gigi GryceBrown SkinsGigi Gryce et Son OrchestreVogue

Betty CarterAll I've GotOut TherePeacock

Betty CarterMake It LastOut TherePeacock
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Dizzy Gillespie Afro-ParisHorn Of PlentyBlue Note

Ahmad Jamal TrioBilly BoyPoincianaArgo (Chess)

Phineas Newborn, Jr. What Is This Thing Called Love? Phineas' RainbowRCA

Charles MingusMysterious BluesNewport RebelsCandid

Billie HolidayA Fine RomanceMusic For TorchingVerve

Billie HolidayCheek To CheekAll Or Nothing at AllVerve
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Roy EldridgeCrazy DriverLittle JazzInner City

Thelonious MonkSixteenGenius Of Modern Music Vol. 2Blue Note

Gil Evans (Cecil Taylor)PotsInto The HotImpulse

Andrew HillThe GriotsAndrew!!!Blue Note

Andrew HillAlfredJudgementBlue Note
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Andrew HillSymmetryAndrew!!!Blue Note

Milt JacksonOut Of NowhereWizard Of The VibesDisques Swing

Zoot SimsSlingin' HashFirst Recordings!Prestige

Buck ClaytonPassport To ParadisePassport To ParadiseInner City
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Sonny Rollins Misterioso (excerpt)Sonny Rollins Volume 2Blue Note

Interview With Will Alexander By Justin DesmanglesInterview With Will Alexander By Justin DesmanglesInterview With Will Alexander By Justin DesmanglesInterview With Will Alexander By Justin Desmangles

Sonny Rollins Misterioso (excerpt)Sonny Rollins Volume 2Blue Note

Monday, October 31, 2011

Will Alexander & Deep Time


Show description for Sunday 10/30/2011 @ 3:00 PM - 6:00 PM

Our guest this afternoon, in the 5 o'clock hour, poet Will Alexander. His most recent book, Compression & Purity, is new from City Lights. Also featured this week, new music from alto saxophonist and composer Darius Jones. His new disc, featuring Adam Lane on bass, and Jason Nazary on drums, is Big Gurl (Smell My Dream). We will also be listening in on the extraordinary 3 disc collection from William Parker Crumbling In the Shadows Is Fraulein Miller's Stale Cake.

Few poets writing today can compare with L.A.-based surrealist Will Alexander in terms of the intensity of his imagination or his radically experimental approach to language as material object. Through the use of automatic writing, Alexander practices a surrealism of the word, creating densely textured layers of signification from its sounded and written forms. Compression & Purity, volume five of our Spotlight poetry series, is Alexander's seventh full-length collection. Known for his visionary epics influenced by poets like Césaire, Artaud and Lamantia, Alexander here returns to shorter forms to address his ecological, cosmological and historical concerns. Highlights include monologues from the perspective of "The Blood Penguin" and "The Pope at Avignon," a song by the "Water on New Mars," and an homage to Cesar Vallejo, "Combustion & Leakage." In true surrealist fashion, the book also includes both an autobiographical lyric essay, "My Interior Vita," describing the evolution of Alexander's artistic consciousness through jazz and surrealism, and his disavowal of the autobiographical process, "On Anti-Biography." An imaginative tour de force, Compression & Purity confirms Alexander's reputation among surrealism's foremost contemporary practitioners.

"This new & rich gathering of Will Alexander's works – always in progress – marks him again as the true successor among us to the likes of Surreal & deeply explorative figures like Breton & Césaire. No other poet writing in America today does it the way that Alexander does – a range of words & images that startle & create new pathways for language & the mind-in-freedom (“alchemical, mesmeric, totalic,” as he names them in these pages). Compression & Purity, so aptly titled, is the work of a true American & world master – & a joy to have & read." —Jerome Rothenberg

“Even at its most confounding, most silent level, this work will unavoidably enter and leave you by a genetic thread of conscious mind woven beyond your 'domestic horizon,; your ‘provincial description' to a vibrating ‘celebration of un-brokeneness.’ This song, in the genealogical terms of cognitive evolution, sings us backwards ‘or forwards’ into a state where we are undifferentiated from the cosmos and can speak, as Will Alexander does, in the full range at once of carbon from dust to diamond.” —Ed Roberson

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ArtistSongAlbumLabel

Darius Jones Trio E-GazBig Gurl (Smell My Dream)AUM - Fidelity

Darius Jones Trio Michelle Loves WillieBig Gurl (Smell My Dream)AUM - Fidelity

Darius Jones Trio A TrainBig Gurl (Smell My Dream)AUM - Fidelity

William ParkerGreen Mountains (for Bill Dixon)Crumbling In the Shadows Is Fraulein Miller's Stale Cake.Centering Records

William ParkerPhiladelphia ClayCrumbling In the Shadows Is Fraulein Miller's Stale Cake.Centering Records
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Henry Threadgill ZooidLying EyesThis Brings Us To, Vol. 2Pi Recordings

Henry Grimes & Rashied AliLarger Astronomical TimeSpirits AloftPorter Records

Odean Pope featuring Marshall AllenThe TrackUniversal SoundsPorter Records

Roscoe Mitchell & Muhal Richard AbramsRomuSpectrumMutable
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Alice ColtraneLeoTranslinear LightImpulse

John ColtraneIndiaThe Complete 1961 Village Vanguard RecordingsImpulse
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Wasimxzama Khan NaseriKavaliMusic In The World Of Islam: Human Voice / LutesTopic

Dunya YunisAbu ZelufMusic In The World Of Islam: Human Voice / LutesTopic

Gadabursi Somali of OgadenLeader/Chorus Song (excerpt)Music In The World Of Islam: Human Voice / LutesTopic
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Interview With Will Alexander By Justin DesmanglesInterview With Will Alexander By Justin DesmanglesInterview With Will Alexander By Justin DesmanglesInterview With Will Alexander By Justin Desmangles
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John ColtraneChasing The TraneThe Complete 1961 Village Vanguard Recordings

Tuesday, October 4, 2011

Does the Secret Mind Whisper? Nov. 11, 2011

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Bob KaufmanFriday NOV 11

"Does the Secret Mind Whisper?"
Will Alexander, Maria Damon and Justin Desmangles

a symposium on Bob Kaufman, Black surrealism, and cultural poetics
7:30 pm @ Meridian Gallery, 535 Powell Street,



Co-sponsored with Before Columbus Foundation


“…the ‘secret mind’ represents the convergence of multiple cultural trajectories. It is the political unconscious of the US, which registers all the ‘secret, terrible hurts’ (Kaufman, “Bagel Shop Jazz”) visited upon people who belong to an ‘America not on any map’ (Will Alexander), the disenfranchised who may ruminate silently on these social, spiritual and bodily injuries but who may speak of them openly only at their peril.”

—Maria Damon, Jacket2, “Poetry in 1960, A Symposium”

"Does the Secret Mind Whisper?" was the gnomic open question posed by poet Bob Kaufman in an early City Lights broadside by that title. In collaboration with the Before Columbus Foundation, the Poetry Center hosts an evening symposium under that rubric, in order to take up the nature of Kaufman's legacy and practice, and its extensions into the 21st Century. Featured guests include poet-scholars Will Alexander and Maria Damon, in conversation with Bay Area writer, radio host/dj and cultural worker Justin Desmangles.

BOB KAUFMAN (1925–1986) was a key participant in the 1950s San Francisco poetry renaissance and the Beat movement. Author of three renowned poetry broadsides, Abomunist Manfesto, Second April, and Does the Secret Mind Whisper?, published in the late 1950s by City Lights Books, his poetry in print remained elusive until two collections came out in the mid-1960s. The landmark Solitudes Crowded With Loneliness (1965), published by New Directions, has remained in print for better than four decades. Golden Sardine (1967) became a signature City Lights Pocket Poets volume alongside the works of renowned contemporaries Allen Ginsberg, Gregory Corso, and Lawrence Ferlinghetti. During Kaufman's last decade, editor Raymond Foye assembled the volume of fugitive works, Ancient Rain: Poems 1956–1978 (New Directions, 1981). The posthumous collection, Cranial Guitar: Selected Poems, appeared in 1996 (Coffee House Press). Following Kaufman's death in 1986, a two-hour feature program, Bob Kaufman, Poet, was produced by David Henderson for KPFA-FM and aired nationally through the Pacifica network. Regarded in France as "the American Rimbaud," Bob Kaufman has been celebrated internationally for his particular mode of Surrealism, permeated by a profound affinity for the outcasts of American society, the poor and punished. The late saxophonist and jazz song composer Steve Lacy called Kaufman "the greatest jazz poet, and the beatest of the Beats."

WILL ALEXANDER (see bio above) has previously published the essay "Bob Kaufman: The Footnotes Exploded" in Conjunctions 29: Tributes.


MARIA DAMON (see bio above) his written on Bob Kaufman, extensively in her early book The Dark End of the Street: Margins in American Vanguard Poetry (University of Minnesota) and more recently online at Jacket2.

Archive AudioJUSTIN DESMANGLES hosts the radio program New Day Jazz, currently at KDVS-90.3 FM, and available online, a heady blend of music and cultural commentary, focused on the African-American cultural continuum. Frequent guests offer a largesse of inquiring and informed commentary, via conversations with, e.g., scholars William W. Cook and James Tatum on African American Writers and Classical Tradition; A. James Arnold and Clayton Eshlemen on their collaborative translation of Aimé Césaire's Solar Throat Slashed; Robin D.G. Kelley on his stellar biography Thelonious Monk: The Life and Times of an American Original; and jazz pianist Matthew Shipp on the legacy of Bud Powell. Chair of the Before Columbus Foundation, which hosts the annual American Book Award, Justin Desmangles has organized numerous public programs, at San Francisco Public Library and Yoshi's jazz club in San Francisco's Fillmore neighborhood, among other venues.

In a series of public programs on the life and legacy of Bob Kaufman under the title "Does the Secret Mind Whisper?" he recently brought together AACM co-founder Roscoe Mitchell with Kaufman's poetry in performances of original compositions. An upcoming November 14 Benefit for the Before Columbus Foundation at Yoshi's San Francisco will reunite Roscoe Mitchell and Amiri Baraka in duo performance, and feature the new Ishmael Reed Band.