Show description for Sunday 3/10/2013 @ 3:00 PM - 6:00 PM
Subversives traces the FBI’s secret involvement with three iconic figures at Berkeley during the 1960s: the ambitious neophyte politician Ronald Reagan, the fierce but fragile radical Mario Savio, and the liberal university president Clark Kerr. Through these converging narratives, the award-winning investigative reporter Seth Rosenfeld tells a dramatic and disturbing story of FBI surveillance, illegal break-ins, infiltration, planted news stories, poison-pen letters, and secret detention lists. He reveals how the FBI’s covert operations—led by Reagan’s friend J. Edgar Hoover—helped ignite an era of protest, undermine the Democrats, and benefit Reagan personally and politically. At the same time, he vividly evokes the life of Berkeley in the early sixties—and shows how the university community, a site of the forward-looking idealism of the period, became a battleground in an epic struggle between the government and free citizens.
The FBI spent more than $1 million trying to block the release of the secret files on which Subversives is based, but Rosenfeld compelled the bureau to release more than 250,000 pages, providing an extraordinary view of what the government was up to during a turning point in our nation’s history.
Part history, part biography, and part police procedural, Subversives reads like a true-crime mystery as it provides a fresh look at the legacy of the sixties, sheds new light on one of America’s most popular presidents, and tells a cautionary tale about the dangers of secrecy and unchecked power.
Joining us this afternoon, on the 5 o'clock hour, author Seth Rosenfeld, discussing his most recent book, Subversives: The FBI's War on Student Radicals, and Reagan's Rise to Power.
Artist | Song | Album | Label | ||
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Richard Wright (James Earl Jones) | Fear (excerpt) | Native Son | Caedmon | ||
Miles Davis All-Stars | Blue 'N Boogie | Walkin' | Prestige | ||
Art Blakey's Jazz Messengers | Rhythm-A-Ning | Art Blakey's Jazz Messengers with Thelonious Monk | Atlantic | ||
Max Roach | Bemsha Swing | The Many Sides of Max | Mercury | ||
Sonny Rollins | If You Were The Only Girl In The World | Sonny Rollins And The Big Brass | Metrojazz | ||
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Richard Wright (James Earl Jones) | Fear (excerpt) | Native Son | Caedmon | ||
Jackie McLean | A Fickle Sonance | A Fickle Sonance | Blue Note | ||
Ornette Coleman | Good Old Days | The Empty Foxhole | Blue Note | ||
Ornette Coleman | The Empty Foxhole | The Empty Foxhole | Blue Note | ||
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Lennie Tristano | Intuition | Lennie Tristano | Capitol | ||
Lennie Tristano | Digression | Lennie Tristano | Capitol | ||
Warne Marsh | Lennie's Pennies | Warne Out | Flyright | ||
Lee Konitz | Baby | Spirits | Milestone | ||
Steve Lacy | Four In One | Reflections | New Jazz | ||
Steve Lacy | Skippy | Reflections | New Jazz | ||
Sonny Rollins | Grand Street | Sonny Rollins And The Big Brass | Metrojazz | ||
Sonny Rollins | Manhattan | Sonny Rollins And The Big Brass | Metrojazz | ||
Sonny Rollins | Body & Soul | Sonny Rollins And The Big Brass | Metrojazz | ||
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Max Roach | A Night In Tunisia | Max Roach + 4 At Newport | EmArcy | ||
Interview With Seth Rosenfeld By Justin Desmangles | Interview With Seth Rosenfeld By Justin Desmangles | Interview With Seth Rosenfeld By Justin Desmangles | Interview With Seth Rosenfeld By Justin Desmangles | ||
Art Ensemble Of Chicago | Tthinitthedalen Part Two | The Paris Session | Arista | ||
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Robert Johnson | I'm A Steady Rolling Man | King Of The Delta Blues Vol. 2 | Columbia |
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