Saturday, November 18, 2017

Blues Jump Blues Jazz

New Day Jazz

Justin Desmangles
at right, detail from Watchmaker, 1946
Jacob Lawrence
original, tempera and graphite on paper, 30 1/2 × 21 1/2 in


Sunday 7/09/2017 @ 3:00PM - 6:00PM
ArtistSongAlbumLabelComments
Ray CharlesWhat'd I SayWhat'd I SayAtlanticFebruary 18, 1959
Hank BallardKansas CityWhat You Get When the Gettin Gets GoodCharly R&BNovember 13, 1958
T-Bone WalkerThe Natural BluesThe Natural BluesCharly R&Bc. 1946
J.B. HuttoCombination BluesCombination BluesCharly R&Bc. 1954
Howlin' WolfWell That's AlrightThe Legendary Sun PerformersCharly R&BApril 17, 1952
Snooky PryorSomeone to Love MeCombination BluesCharly R&Bc. 1956
Eddie Cleanhead VinsonHold It Right ThereBack In TownCharly R&BSeptember 1957
Willie NixAll By MyselfCombination BluesCharly R&Bc. 1953
AIRBREAK
Hadda BrooksRomance in the DarkRomance in the DarkJukebox Lilc. 1946
Lloyd GlennMidnight BoogieTexas ManJukebox LilDecember 26, 1947
Roy HamiltonBlue Turning GreyBig Fat MamaJukebox LilDecember 27, 1947
Savannah ChurchillThe Things You Do to MeTime Out For TearsJukebox LilAutumn 1948
James MoodyI'm in the Mood for LoveJames Moody and His Swedish CrownsDragonOctober 12, 1949
Big Jay McNeelyWillie the Cool CatRoad House BoogieSaxophonographFebruary 1949
Smiley LewisGumbo BluesCaldonia's PartyK.C.c. 1952
Washboard SamRiver Hip MamaWashboard SamB.O.B.February 10, 1942
Illinois JacquetDiggin' the CountThe Fabulous Apollo SessionsVogueMay 21, 1947
Little George SmithOopin' Doopin' Doopin'Oopin' Doopin' Doopin'Acec. 1956
AIRBREAK
Sister Rosetta TharpeStrange Things Happening Every DayBoogie Blues: Women Sing & Play Boogie WoogieRosetta RecordsSeptember 22, 1944
Dinah WashingtonWise Woman BluesWise Woman BluesRosetta RecordsDecember 1945
Mary Lou WilliamsBoogie MisteriosoBoogie Blues: Women Sing & Play Boogie WoogieRosetta RecordsJuly 24, 1946
Nora King LeeCanonballSorry But I Can't Take You: Women's Railroad BluesRosetta RecordsFebruary 9, 1942
Memphis MinnieShout the BoogieBoogie Blues: Women Sing & Play Boogie WoogieRosetta RecordsDecember 27, 1947
Hadda BrooksBully Wooly BoogieBoogie Blues: Women Sing & Play Boogie WoogieRosetta Recordsc. 1946
Ethel WatersPush OutThe Complete Bluebird SessionsRosetta RecordsAugust 15, 1939
Sam Price (Jimmie Gordon)Sail with MeSinging with Sammy Vol. 1SwingtimeMay 18, 1938
Sam Price (Yack Taylor)Whip It to a JellySinging with Sammy Vol. 1SwingtimeJuly 23, 1941
AIRBREAK
Charles BrownMy Heart is MendedSunny RoadRoute 66May 20, 1955
Bull Moose JacksonBig Fat Mama's Are Back in StyleBig Fat Mama's Are Back in StyleRoute 66September 27, 1950
Ella FitzgeraldLouisville, KentuckyForever Young: Ella Fitzgerald Vol. 2SwingtimeJanuary 8, 1941
Leo Watson (Artie Shaw)FreewheelingLeo Watson: The Scat ManSwingtimeSeptember 17, 1937
Big Joe Turner (Joe Sullivan)Lowdown Dirty ShameStart to Jump Because It's JubileeSwingtimeFebruary 9, 1940
John Lee HookerHigh Priced WomanHouse of the BluesCharly R&Bc. 1951
Muddy WatersScreamin' and Cryin'The Real Folk BluesCharly R&Bc. 1949
Lowell FulsonSwingin' PartyLowell FulsonCharly R&Bc. 1962
Miles Davis (Leonard Bernstein)Sweet Sue, Just YouWhat Is Jazz?ColumbiaSeptember 10, 1956
AIRBREAK
Ray CharlesThat's EnoughWhat'd I SayAtlanticMay 28, 1957
Hank BallardSexy WaysWhat You Get When the Gettin Gets GoodCharly R&BApril 24, 1954
Eddie Cleanhead VinsonCleanhead's Back in TownBack In TownCharly R&BSeptember 1957
Toni HarperCandy Store BluesCandy Store BluesOfficialDecember 26, 1947
Dinah WashingtonPillow BluesThe Complete Dinah Washington Vol. 8OfficialMay 6, 1952
Carmen McRaeMoonrayInvitationOfficialFebruary 1958
Michel LegrandWild Man BluesLegrand JazzColumbiaJune 25, 1958
Michel LegrandDjangoLegrand JazzColumbiaJune 25, 1958
AIRBREAK
Django ReinhardtI'll See You In My DreamsSolos/Duets/Trios, Volume 2Inner Cityc. 1937
Django ReinhardtImprovisationSolos/Duets/Trios, Volume 2Inner Cityc. 1937
Django ReinhardtViper's DreamThe Quintet Of The Hot Club Of FranceInner CityNovember 11, 1937
Savannah ChurchillMy Baby-kinTime Out For TearsJukebox Lilc. 1947
Hadda BrooksClose Your EyesRomance in the DarkJukebox Lilc. 1949
Hadda BrooksHungary (Gypsy) excerptRomance in the DarkJukebox Lilc. 1947
AIRBREAK
The Brass Ensembles of the Jazz and Classical Music SocietyThree Little FeelingsMusic For BrassColumbiaOctober 20, 1956

Billie's Birthday

New Day Jazz

Justin Desmangles
Billie Holiday (April 7, 1915 – July 17, 1959) Know your history, know your culture. Your independence depends on your remembrance. Each one, teach one.



Sunday 4/09/2017 @ 3:00PM - 6:00PM
ArtistSongAlbumLabelComments
Billie HolidayThem There EyesThe Billie Holiday StoryDeccaAugust 29, 1949
Billie HolidayDo Your DutyThe Billie Holiday StoryDeccaSeptember 8, 1949
Billie HolidayA Pigfoot and a Bottle of BeerThe Billie Holiday StoryDeccaSeptember 8, 1949
Ntozake Shange (Laurie Carlos)sorryfor colored girls who have considered suicide / when the rainbow is enufBuddhac. 1976
Billie HolidayAin't Nobody's Business If I DoThe Billie Holiday StoryDeccaAugust 17, 1949
Ntozake Shangeno more love poems #1for colored girls who have considered suicide / when the rainbow is enufBuddhac. 1976
Billie HolidayComes LoveBody and SoulVerveJanuary 4, 1957
Billie HolidayGee, Baby Ain't I Good to YouBody and SoulVerveJanuary 9, 1957
AIRBREAK
Teddy Wilson and His OrchestraI Wished on the MoonThe Quintessential Billie Holiday, Vol.1ColumbiaJuly 2, 1935
Teddy Wilson and His OrchestraWhat a Little Moonlight Can DoThe Quintessential Billie Holiday, Vol.1ColumbiaJuly 2, 1935
Teddy Wilson and His OrchestraMiss Brown to YouThe Quintessential Billie Holiday, Vol.1ColumbiaJuly 2, 1935
Billie HolidayIt's Like Reaching for the MoonThe Quintessential Billie Holiday, Vol. 2ColumbiaJune 30, 1936
Billie HolidayThese Foolish ThingsThe Quintessential Billie Holiday, Vol. 2ColumbiaJune 30, 1936
Lester YoungThese Foolish ThingsThe Aladdin SessionsBlue Note Re-issue SeriesOctober 1945
Sonia Sanchezliberation / poemA Sun Lady For All Seasons Reads Her PoetryFolkwaysc. 1971
Sonia Sanchezsummer words of a sistuh addictA Sun Lady For All Seasons Reads Her PoetryFolkwaysc. 1971
Mal WaldronBlues For Lady DayBlues For Lady DayAristaFebruary 5, 1972
AIRBREAK
Margaret WalkerKissie LeeAnthology of Negro PoetsFolkwaysc. 1954
Billie HolidayBe Fair With MeBillie HolidayAladdinc. 1951
Billie HolidayBlue Turning Grey Over YouBillie HolidayAladdinc. 1951
Billie HolidayRocky Mountain BluesBillie HolidayAladdinc. 1951
Billie HolidayDetour AheadBillie HolidayAladdinc. 1951
Billie HolidayLover ManThe Billie Holiday StoryDeccaOctober 4, 1944
Thelonious MonkLover ManThe London Sessions Vol. 1Black LionNovember 17. 1971
Teddy Wilson and His OrchestraThis Years KissesThe Quintessential Billie Holiday, Vol.3ColumbiaJanuary 25, 1937
Teddy Wilson and His OrchestraWhy Was I Born?The Quintessential Billie Holiday, Vol.3ColumbiaJanuary 25, 1937
Teddy Wilson and His OrchestraI Must Have That ManThe Quintessential Billie Holiday, Vol.3ColumbiaJanuary 25, 1937
AIRBREAK
Billie HolidayDo Nothing till You Hear from MeAll or Nothing at AllVerveAugust 14, 1956
Billie HolidayCheek to CheekAll or Nothing at AllVerveAugust 14, 1956
Billie HolidayIll WindAll or Nothing at AllVerveAugust 14, 1956
Billie HolidayGod Bless the ChildLady Sings the BluesVerveJune 1956
Sonny RollinsGod Bless the ChildThe BridgeRCAJanuary 30, 1962
Eric DolphyGod Bless the ChildStatusPrestigeJuly 16, 1961
AIRBREAK
Ronald StoneLady Day Spring TonedNew Jazz PoetsBroadsidec. 1967
Archie SheppLady Sings the BluesLive in San FranciscoImpulse!February 19, 1966
Herbie NicholsLady Sings the BluesThe Third WorldBlue Note Re-issue SeriesAugust 1, 1955
Teddy Wilson and His OrchestraEasy LivingThe Quintessential Billie Holiday, Vol.4ColumbiaJune 1, 1937
Teddy Wilson and His OrchestraI'll Never Be the SameThe Quintessential Billie Holiday, Vol.4ColumbiaJune 1, 1937
Billie Holiday and Her OrchestraMe, Myself and IThe Quintessential Billie Holiday, Vol.4ColumbiaJune 15, 1937
Billie Holiday and Her OrchestraA Sailboat in the MoonlightThe Quintessential Billie Holiday, Vol.4ColumbiaJune 15, 1937
AIRBREAK
Billie HolidayThey Can't Take That Away From MeBody and SoulVerveJanuary 9, 1957
Thelonious MonkBlue SphereThe London Sessions Vol. 1Black LionNovember 17. 1971

Tuesday, April 11, 2017

Janice Lowe in Conversation with Justin Desmangles, Sunday 11/06/2016





Joining me in conversation this afternoon in the 5 o'clock hour, poet, composer, Janice Lowe. A co-founder of the Dark Room Collective, Ms. Lowe's most recent collection of poetry is Leaving CLE: poems of nomadic dispersal (Miami University Press, 2016).

She is also the author of the chapbook SWAM (Belladonna Series). Her poems have been published in Callaloo, American Poetry Review, In the Tradition, and The Hat; they have also appeared on a digital album with Drew Gardner’s Poetics Orchestra. Her essays have appeared in Sing the Sun Up and The Cleveland Neighborhood Guidebook.

“In Leaving CLE, Janice Lowe’s debut collection, she imagines poems as scores for socially-charged lyric and performative possibility. These poems explore the psychic and material spaces and traces of Cleveland and other cities through forms that leap off the page. Lowe transforms life’s arcs into song: ‘Sing back to me bright as Sunday’—and she does.”— John Keene

Conversation begins at 02:02:40, the preceding music on play list below. 

Sunday 11/06/2016 @ 3:00PM - 6:00PM


Nina Simone My Sweet Lord / Today is a Killer Emergency Ward RCA c. 1972
Jimi Hendrix Who Knows Band of Gypsys Capitol January 1, 1970
AIRBREAK
Art Ensemble of Chicago Dreaming of the Master Nice Guys ECM c. 1979
Ntozake Shange (Laurie Carlos) sorry for colored girls who have considered suicide / when the rainbow is enuf Buddha c. 1976
Esther Phillips I'm Gettin' Long Alright Confessin' the Blues Atlantic c. 1976
Esther Phillips I Wonder Confessin' the Blues Atlantic c. 1976
Jayne Cortez You Know Unsubmissive Blues Bola Press c. 1980
AIRBREAK
Funkadelic Music for My Mother Funkadelic Westbound c. 1970
Richard Pryor Bicentennial Nigger Bicentennial Nigger Warner Brothers c. 1976
Jimi Hendrix The Star-Spangled Banner Woodstock Cotillion August 1969
Sun Ra The Truth About Planet Earth The Space Age is Here to Stay Modern Harmonic c. 1978
Sun Ra Nuclear War The Space Age is Here to Stay Modern Harmonic c. 1983
Sly and the Family Stone If You Want Me to Stay Fresh Epic c. 1973
AIRBREAK
Gil-Scott Heron Lady Day and John Coltrane The Revolution Will Not Be Televised Flying Dutchman c. 1974
Ron Carter Uptown Conversation Uptown Conversation Embryo October 1969
Ron Carter Ten Strings Uptown Conversation Embryo October 1969
Ron Carter Half a Row Uptown Conversation Embryo October 1969
AIRBREAK
Herbie Hancock Jack Rabbit Inventions and Dimensions Blue Note August 30, 1963
Janice Lowe in Conversation with Justin Desmangles Janice Lowe in Conversation with Justin Desmangles Janice Lowe in Conversation with Justin Desmangles Janice Lowe in Conversation with Justin Desmangles Janice Lowe in Conversation with Justin Desmangles
Abbey Lincoln My Way Live In Misty Kiva (Japan) c. 1973
Abbey Lincoln Japanese Dream Live In Misty Kiva (Japan) c. 1973
Abbey Lincoln Rainbow Live In Misty Kiva (Japan) c. 1973

Monday, May 25, 2015

Astra Taylor Discusses The People's Platform: Taking Back Power and Culture in the Digital Age.




Joining me this afternoon in the 5 o'clock hour, writer, director, Astra Taylor, discussing her most recent book,  The People's Platform: Taking Back Power and Culture in the Digital Age. Ms. Taylor will be appearing at the Oakland Book Festival
 the following Sunday, May 31, in a panel discussion, Radical Lives, Radical Cities: Oakland and Beyond, with Elaine Brown and Frank B. Wilderson III. 

MISSED THE SHOW?

Sunday 5/24/2015 @ 3:00PM - 6:00PM

ArtistSongAlbumLabelComments
Kenny DorhamAfrodisiaAfro-CubanBlue Note
Horace SilverPretty EyesCape Verdean BluesBlue Note
Art Blakey & The Jazz MessengersPensativaFree for AllBlue Note
Phineas Newborn, Jr.MantecaA World of PianoContemporary
AIRBREAK
Modern Jazz QuartetDjangoDjangoPrestige
John Lewis featuring Eric DolphyAfternoon in ParisThe Wonderful World of JazzAtlantic
Dakota StatonSummertimeThe Late, Late ShowCapitol
Dakota StatonMistyThe Late, Late ShowCapitol
Teddy Edwards & Howard McGheeMistyTogether Again!Contemporary
Jimmy HeathGeminiTriple ThreatRiverside
AIRBREAK
Kenny DorhamBasheer's DreamAfro-CubanBlue Note
SantanaEl NicoyaAbraxasColumbia
SantanaSe a CaboAbraxasColumbia
Horace SilverNutvilleCape Verdean BluesBlue Note
Eddie JeffersonSister SadieThe Jazz SingerInner City
Eddie JeffersonSo WhatThe Jazz SingerInner City
AIRBREAK
Cecil TaylorConquistadorConquistador!Blue Note
Sun Ra & The Myth-Science ArkestraLove in Outer Space (excerpt)Planets of Life or DeathArt Yard / Strut
AIRBREAK
Interview with Astra Taylor By Justin DesmanglesInterview with Astra Taylor By Justin DesmanglesInterview with Astra Taylor By Justin DesmanglesInterview with Astra Taylor By Justin Desmangles
Sun Ra & The Myth-Science ArkestraLove in Outer Space (excerpt)Planets of Life or DeathArt Yard / Strut
Herbie HancockRound MidnightThe Other Side of Round MidnightBlue Note
AIRBREAK
John LewisTwo Degrees East, Three Degrees WestThe Wonderful World of JazzAtlantic

Monday, May 18, 2015

Nathaniel Mackey Discusses Blue Fasa on New Day Jazz with Justin Desmangles


Nathaniel Mackey joins me this week in the 5 o'clock hour, discussing his most recent collection of poetry, Blue Fasa, out this month from New Directions.

MISSED THE SHOW?

ArtistSongAlbumLabel
Abbey LincolnHow High the Moon (la lune est grise . . . mon coeur aussi)The World is Falling DownVerve (Germany)
Tommy FlanaganUgly BeautyThelonicaEnja
Cecil McBeeUndercurrentCompassionEnja
AIRBREAK
John ColtraneSyeeda's Song FluteGiant StepsAtlantic
John ColtraneMoment's NoticeBlue TrainBlue Note
Jackie McLeanAppointment in GhanaJackie's BagBlue Note
AIRBREAK
Betty Carter30 YearsDroppin' ThingsBet-Car (Verve)
Betty CarterStar Dust / Memories of YouDroppin' ThingsBet-Car (Verve)
Stevie WonderYou Are the Sunshine of My LifeTalking BookMotown
Stevie WonderYou Got It Bad GirlTalking BookMotown
Sun Ra & His Myth-Science ArkestraLights on a SatelliteFate in a Pleasant MoodSaturn Records
AIRBREAK
Freddie HubbardThe Intrepid FoxRed ClayCTI
Dave HollandInterceptionConference of the BirdsECM
Caetano VelosoTriste BahiaTransaPhilips (Brazil)
Jackie McleanIsle of Java (excerpt)Jackie's BagBlue Note
AIRBREAK
Interview with Nathaniel Mackey by Justin DesmanglesInterview with Nathaniel Mackey by Justin DesmanglesInterview with Nathaniel Mackey by Justin DesmanglesInterview with Nathaniel Mackey by Justin Desmangles
Joe HendersonBlue BossaPage OneBlue Note

Wednesday, April 8, 2015

F.B. Eyes: How J. Edgar Hoover's Ghostreaders Framed African American Literature


Joining me this afternoon, in the 5 o'clock hour, William J. Maxwell, author of F.B. Eyes: How J. Edgar Hoover's Ghostreaders Framed African American Literature. Tune in for what promises to be a vital, provocative discussion of this immensely important new book. 

MISSED THE SHOW?

"According to the Bureau's own declassified word, Hoover and many lesser FBI ghostreaders pored over scores of Afro-modernist poems, plays, stories, novels, essays, and reviews - some even before publication with the aid of bookish informers at magazines and publishing firms. Alarmingly, the files divulge that the FBI readied preventive arrests of the majority of the black authors shadowed in its archive. Twenty-seven of fifty-one were caught in the invisible dragnet of the Bureau's 'Custodial Detention' index and its successors, hot lists of precaptives 'whose presence at liberty in this country in time of war or national emergency,' Hoover resolved, 'would be dangerous to the public peace and the safety of the United States Government' (Hoover, Directive 409). By the time the Black Panthers and Black Power, Hoover's literary-critical G-men style of state minstrelsy bent to counterintelligence purposes of simulation, infiltration, and plausibly deniable manipulation. The early and creative intensity of the Bureau's watch on black literature has been unknowingly minimized, the files collectively suggest, both in literary studies and in recent historical exposes harnessing FOIA requests to uncover either the Bureau's 'war on words' or its 'secret file on black America,' parallel tracks that should acknowledge their parallel underground crossings. The backdating and thick description of FBI surveillance of legal dissent, a muckracking preoccupation since Hoover's passing, is thus due for extension into the field of African American literary history. And the Bureau's peculiar contributions to this history are due at least a moment of national self-reflection. Even now, when it takes massive NSA 'data mining' to excite resistance to the surveillance of daily life, it is not just an academic matter that U.S. state intelligence essentially arranged to jail the African American literary tradition at mid-century. Well before the labeling of the prison-industrial complex, the republic of black letters joined black urban communities as an exceptional zone of police supervision." ~ William J. Maxwell, F.B. Eyes: How J. Edgar Hoover's Ghostreaders Framed African American Literature 
Few institutions seem more opposed than African American literature and J. Edgar Hoover’s white-bread Federal Bureau of Investigation. But behind the scenes the FBI’s hostility to black protest was energized by fear of and respect for black writing. Drawing on nearly 14,000 pages of newly released FBI files, F.B. Eyes exposes the Bureau’s intimate policing of five decades of African American poems, plays, essays, and novels. Starting in 1919, year one of Harlem’s renaissance and Hoover’s career at the Bureau, secretive FBI “ghostreaders” monitored the latest developments in African American letters. By the time of Hoover’s death in 1972, these ghostreaders knew enough to simulate a sinister black literature of their own. The official aim behind the Bureau’s close reading was to anticipate political unrest. Yet, as William J. Maxwell reveals, FBI surveillance came to influence the creation and public reception of African American literature in the heart of the twentieth century.
Taking his title from Richard Wright’s poem “The FB Eye Blues,” Maxwell details how the FBI threatened the international travels of African American writers and prepared to jail dozens of them in times of national emergency. All the same, he shows that the Bureau’s paranoid style could prompt insightful criticism from Hoover’s ghostreaders and creative replies from their literary targets. For authors such as Claude McKay, James Baldwin, and Sonia Sanchez, the suspicion that government spy-critics tracked their every word inspired rewarding stylistic experiments as well as disabling self-censorship.
Illuminating both the serious harms of state surveillance and the ways in which imaginative writing can withstand and exploit it, F.B. Eyes is a groundbreaking account of a long-hidden dimension of African American literature.
William J. Maxwell is associate professor of English and African American studies at Washington University in St. Louis. He is the author of New Negro, Old Left: African-American Writing and Communism between the Wars and the editor of Claude McKay’s Complete Poems.

"[An] immensely important story about the black authors that we thought we knew, from the 'notorious negro revolutionary' Claude McKay to the Black Arts poet Sonia Sanchez. . . . [A] welcome model for seeing state interference in culture as a two-way street."--Los Angeles Review of Books
"[A] bold, provocative study. . . . Maxwell's passion for the subject spills onto every page of his detailed, persuasive documentation that 'the FBI [was] an institution tightly knit (not consensually) to African-American literature.'"--Publishers Weekly (a Publishers Weekly pick of the week)
"[S]tartling. . . . Much of what Maxwell has discovered . . . paints a sobering picture of state-sanctioned repression and harassment over decades. It's a tribute to the strength of the panoply of FBI-targeted writers, intellectuals and leaders that they, for the most part, toughed it out and remain with us today as a fundamental part of the fabric of American history and letters."--Repps Hudson, St. Louis Post-Dispatch
"[T]his well-researched volume illustrates the paranoia and self-censorship that altered the course of African American literature for decades as a result of the bureau's surveillance. This scholarly work will appeal to academic readers with a particular interest in African American literature or the FBI."--Library Journal 

Sunday 2/15/2015 @ 3:00PM - 6:00PM

ArtistSongAlbumLabelComments
John ColtraneLush LifeLush LifePrestige
Thelonious MonkEpistrophyMonk's MusicRiverside
Billie HolidayCheek to CheekAll or Nothing at AllVerve
AIRBREAK
Billie HolidayLove Me or Leave MeLady Sings the BluesVerve
Billie HolidayToo Marvelous for WordsLady Sings the BluesVerve
Nina SimoneLilac WineWild is the WindPhilips
Charles MingusWest Coast GhostEast CoastingBethlehem
Bill Evans TrioWhen I Fall in LovePortrait in JazzRiverside
Michel Legrand featuring Miles DavisWild Man BluesLegrand JazzColumbia
Michel Legrand featuring Miles DavisDjangoLegrand JazzColumbia
AIRBREAK
Sonny RollinsCome, GoneWay Out WestContemporary
Joe HendersonBlue BossaPage OneBlue Note
Hank MobleyMessage from the BorderMobley's Second MessagePrestige
Thelonious MonkLiza (All the Clouds'll Roll Away)The Unique Thelonious MonkRiverside
AIRBREAK
Roscoe Mitchell and the Sound Ensemble3 X 4 Eye3 X 4 EyeBlack Saint
Interview with William J. Maxwell by Justin DesmanglesInterview with William J. Maxwell by Justin DesmanglesInterview with William J. Maxwell by Justin DesmanglesInterview with William J. Maxwell by Justin Desmangles
Miles Davis QuintetBudoFacetsCBS-France