Monday, July 27, 2009

Ishmael Reed on Henry Louis Gates

How Henry Louis Gates Got Ordained as the Nation's "Leading Black Intellectual"

Post-Race Scholar Yells Racism

By ISHMAEL REED

Now that Henry Louis Gates’ Jr. has gotten a tiny taste of what “the underclass” undergo each day, do you think that he will go easier on them? Lighten up on the tough love lectures? Even during his encounter with the police, he was given some slack. If a black man in an inner city neighborhood had hesitated to identify himself, or given the police some lip, the police would have called SWAT. When Oscar Grant, an apprentice butcher, talked back to a BART policeman in Oakland, he was shot!

Given the position that Gates has pronounced since the late eighties, if I had been the arresting officer and post-race spokesperson Gates accused me of racism, I would have given him a sample of his own medicine. I would have replied that “race is a social construct”--the line that he and his friends have been pushing over the last couple of decades.

After this experience, will Gates stop attributing the problems of those inner city dwellers to the behavior of “thirty five-year-old grandmothers living in the projects?” (Gates says that when he became a tough lover he was following the example of his mentor Nobel Laureate Wole Soyinka as though his and Soyinka’s situations were the same. As a result of Soyinka’s criticisms of a Nigerian dictator, he was jailed and his life constantly threatened.)

Prior to the late eighties, Gates’ tough love exhortations were aimed at racism in the halls of academe, but then he signed on to downtown feminist reasoning that racism was a black male problem. Karen Durbin, who hired him to write for The Village Voice, takes credit for inventing him as a “public intellectual.” He was then assigned by Rebecca Penny Sinkler, former editor of The New York Times Book Review, to do a snuff job on black male writers. In an extraordinary review, he seemed to conclude that black women writers were good, not because of their merit, but because black male writers were bad. This was a response to an article by Mel Watkins, a former book review editor, who on his way out warned of a growing trend that was exciting the publisher’s cash registers. Books that I would describe as high Harlequin romances, melodramas in which saintly women were besieged by cruel black male oppressors, the kind of image of the brothers promoted by confederate novelists Thomas Nelson Page and Thomas Dixon.

Gates dismissed a number of black writers as misogynists, including me, whom he smeared throughout the United States and Europe, but when Bill Clinton was caught exploiting a young woman, sexually, he told the Times that he would “go to the wall for this president.” Feminists like Gloria Steinem defended the president as well, even though for years they’d been writing about women as victims of male chauvinists with power, the kind of guys who used to bankroll Ms. magazine.

Not to say that portraits of black men should be uniformly positive--I’ve certainly introduced some creeps in my own work--but most of the white screenwriters, directors and producers who film this material--and the professors and critics who promote it-- are silent about the abuses against women belonging to their own ethnic groups. Moreover, Alice Walker, Tina Turner and bell hooks have complained that in the hands of white script writers, directors and producers, the black males become more sinister straw men than they appear in the original texts.

There are big bucks to be made in promoting this culture. Two studios are currently fighting over the rights to a movie called “Push” about a black father who impregnates his illiterate Harlem daughter. A representative of one, according to the Times, said that the movie would provide both with “a gold mine of opportunity.”

As an example of the double standard by which blacks and whites are treated in American society, at about the same time that the Gate’s article on black misogyny was printed, there appeared a piece about Jewish American writers. Very few women were mentioned.

Gates was also under pressure for making himself the head black feminist in the words of feminist Michele Wallace as a result of his profiting from black feminist studies sales because, as she put it in the Voice, he had unresolved issues with his late mother, who was, according to Gates, a black nationalist. The black feminists wanted in. As a result, Gates invited them to join his Norton anthology project. The result was the Norton Anthology of African American Literature. One of the editors was the late feminist scholar Dr. Barbara Christian. She complained to me almost to the day that she died that she and the late Nellie Y. McKay, another editor, did all of the work while Gates took the credit. This seems to be Gates’ pattern. Getting others to do his work. Mother Jones magazine accused him of exploiting those writers who helped to assemble his Encarta Africana, of running an academic sweat shop and even avoiding affirmative action goals by not hiring blacks. Julian Brookes of Mother Jones wrote:

“Henry Louis Gates Jr. has never been shy about speaking up for affirmative action. Indeed, the prominent Harvard professor insists that he wouldn't be where he is today without it. Odd, then, that when it came to assembling a staff to compile an encyclopedia of black history, Gates hired a group that was almost exclusively white. Of the up to 40 full-time writers and editors who worked to produce Encarta Africana only three were black. What's more, Gates and co-editor K. Anthony Appiah rejected several requests from white staffers to hire more black writers. Mother Jones turned to Gates for an explanation of this apparent inconsistency.

“Did the staff members who expressed concern that the Africana team was too white have a point?”

Gates responded:

“It's a disgusting notion that white people can't write on black history--some of the best scholars of Africa are white. People should feel free to criticize the quality of the encyclopedia, but I will not yield one millimeter[to people who criticize the makeup of the staff]. It's wrongheaded. Would I have liked there to be more African Americans in the pool? Sure. But we did the best we could given the time limits and budget.”

While his alliance with feminists gave Gates’ career a powerful boost, it was his Op ed for the Times blaming continued anti-Semitism on African Americans that brought the public intellectual uptown. It was then that Gates was ordained as the pre-eminent African American scholar when, if one polled African-American scholars throughout the nation, Gates would not have ranked among the top twenty five. It would have to be done by secret ballot given the power that Gates’ sponsors have given him to make or break academic careers. As Quincy Troupe, editor of Black Renaissance Noire would say, Gates is among those leaders who were “given to us,” not only by the white mainstream but also by white progressives. Amy Goodman carries on about Gates and Cornel West like the old Bobby Soxers used to swoon over Sinatra. Last week Rachel Maddow called Gates “the nation’s leading black intellectual.” Who pray tell is the nation’s leading white intellectual, Rachel? How come we can only have one? Some would argue that Gates hasn’t written a first rate scholarly work since 1989.

CNN gave Gates’ accusation against blacks as anti-Semites a worldwide audience and so when I traveled to Israel for the first time in the year, 2000, Israeli intellectuals asked me why American blacks hated Jews so. In print, I challenged Gate’s libeling of blacks as a group in my book, Another Day at the Front, because at the time of his Op-ed, the Anti-Defamation League issued a report that showed the decline of anti-Semitism among black Americans. I cited this report to Gates. He said that the Times promised that there would be a follow up Op-ed about racism among American Jews. It never appeared. Barry Glassner was correct when he wrote in his “The Culture of Fear” that the whole Gates-generated black Jewish feud was hyped.

Under Tina Brown’s editorship at The New Yorker, Gates was hired to do hatchet jobs on Minister Louis Farrakhan and the late playwright August Wilson.

The piece on Wilson appeared after a debate between Robert Brustein and Wilson about Wilson’s proposal for a black nationalist theater. Gates took Brustein’s side of the argument. Shortly afterward, Brustein and Gates were awarded a million dollar grant from the Ford Foundation for the purpose of holding theatrical Talented Tenth dinner parties at Harvard at a time when regional black theater was heading toward extinction. Tina Brown, a one-time Gates sponsor, is a post-racer like Gates. Like Andrew Sullivan, a Charles Murray supporter, she gets away with the most fatuous comments as a result of Americans being enthralled by a London accent. On the Bill Maher show, she said that issues of race were passé because the country has elected a black president. This woman lives in a city from which blacks and Latinos have been ethnically cleansed as a result the policies of Mayor Giuliani, a man who gets his talking points from The Manhattan Institute. Thousands of black and Hispanic New Yorkers have been stopped and frisked without a peep from Gates and his Harvard circle of post-racers such as Orlando Patterson.

Even the Bush administration admitted to the existence of racial profiling, yet Gates says that only after his arrest did he understand the extent of racial profiling, a problem for over two hundred years. Why wasn’t “the nation’s leading black intellectual” aware of the problem? His exact words following his arrest were “What it made me realize was how vulnerable all black men are, how vulnerable are all poor people to capricious forces like a rogue policemen.” Amazing! Shouldn’t “the nation’s leading black intellectual” be aware of writer Charles Chesnutt who wrote about racial profiling in 1905!

The Village Voice recently exposed the brutality meted out to black and Hispanic prisoners at New York’s Riker’s Island and medical experiments that have damaged black children living in the city. Yet Maureen Dowd agrees with Tina Brown, her fellow New Yorker, that because the president and his attorney general are black--in terms of racism--it’s mission accomplished. Makes you understand how the German citizens of Munich could go about their business while people were being gassed a few miles away. You can almost forgive Marie Antoinette. She was a young woman in her thirties with not a single face lift operation.

What is it with this post-race Harvard elite? I got to see Dick Gregory and Mort Sahl perform in San Francisco the other night, the last of the great sixties comedians. During his routine, Gregory said that he’s sending his grand kids to black historical colleges because even though he lives near Harvard and can afford to send them there, he wouldn’t “send his dog to Harvard.” Maybe he is on to something.

When Queer Power became the vogue, Gates latched on to that movement, too. In an introduction to an anthology of Gay writings, Gates argued that Gays face more discrimination than blacks, which is disputed even by Charles Blow, Times statistician, who like Harvard’s Patterson and Gates, makes tough love to blacks exclusively. Recently, he reported that the typical target of a hate crime is black, but failed to identify the typical perpetrator of a hate crime as a young white male.

Moreover, what’s the percentage of Gays on death row? The percentage of blacks? Which group is more likely to be redlined by banks, a practice that has cost blacks billions of dollars in equity? Would Cambridge police have given two white Gays the problems that they gave Gates? Why no discussion of charges of Gay racism made by Marlon Riggs, Barbara Smith and Audre Lorde? How many unarmed white Gays have been murdered by the police? How many blacks? Undoubtedly, there are pockets of homophobia among blacks but not as much as that among other ethnic communities that I could cite. The best thing for blacks would be for Gays to get married and blacks should help in this effort, otherwise all of the oxygen on the left will continue to be soaked up by this issue.

For white Gays and Lesbians to compare their struggle to that of the Civil Rights movement is like Gates comparing his situation with that of Wole Soyinka’s. Moreover, Barbara Smith says that when she tried to join the Gay Millennial March on Washington, the leaders told her to get lost. They said they were intent upon convincing white Heterosexual America that “We’re just like you.”

Will the pre-late-80s Gates be resurrected as a result of what MSNBC and CNN commentator Touré calls Gates’ wake up call? (This is the same Toure, a brilliant fiction writer, who just about wrote a post-race manifesto for The New York Times Book Review, during which he dismissed an older generation of black activists as a bunch of “Jesses”.)

Will Gates let up on what Kofi Natambu the young editor of the Panopticon Review calls his “opportunism.” Will he re-think remarks like the one he made after the election of his friend, the tough love president Barack Obama? Gates said that he doubted that the election would end black substance abuse and unmarried motherhood?

Is it possible that things are more complicated than tough love sound bites which are designed to solicit more patronage? Will he reconsider the post-race neocon line of his blog, TheRoot.com, bankrolled by The Washington Post? Will he invite writers Carl Dix and Askia Toure, who represent other African American constituencies, as much as he prints the views of far right Manhattan Institute spokesperson and racial profiling denier, John McWhorter.

Will he continue to advertise shoddy blame-the-victim and black pathology sideshows like CNN’s “Black In America,” and “The Wire?” (Predictably CNN’s Anderson Cooper turned Gates’ controversy into a carnival act. The story was followed by one about Michael Jackson’s doctors. CNN is making so much money and raising its ratings so rapidly from black pathology stories that it’s beginning to give Black Entertainment Network a run for its money, so to speak.)

Predictably, the segregated media--the spare all white jury dominating the conversation about race as usual--gave the Cambridge cop the benefit of the doubt and the police unions backed him up. The police unions always back up their fellow officers even when they shoot unarmed black suspects in the back or, in the case of Papa Charlie James, an elderly San Francisco black man, while he was laying in bed. They back each other up and “testilie” all of the time.

Will Gates listen to his critics from whom he has been protected by powerful moneyed forces, which have given him the ability to make or break academic careers, preside over the decision-making of patronage and grant-awarding institutions. Houston A. Baker Jr.’s Betrayal: How Black Intellectuals Have Abandoned The Ideals Of The Civil Rights Era offers mild criticisms of Gates, West and other black public intellectuals, who, according to him, are “embraced by virtue of their race transcendent ideology.” His book went from the warehouse to the remainder shelves. The Village Voice promised two installments of courageous muckraking pieces about Gates written by novelist, playwright and poet Thulani Davis; part two never appeared. Letters challenging Gates by one of Gates’ main critics at Harvard, Dr. Martin Kilson, have been censored. Kilson refers to Gates as “the master of the intellectual dodge.” And even when Professor Melissa Harris-Lacewell at The Nation’s blog defied the 24-hour news cycle that has depicted Gates, a black nationalist critic, as an overnight black nationalist-- she calls him “apolitical”--she had to pull her punches. As an intellectual, she has more depth than all of the white mainstream and white progressive media’s selected “leaders of black intellection,” among whom are post-modernist preachers who can spew rhetoric faster than the speed of light.

It remains to be seen whether Gates, who calls himself an intellectual entrepreneur, will now use his “wake up call” to lead a movement that will challenge racial disparities in the criminal justice system. A system that is rotten to the core, where whites commit the overwhelming majority of the crimes, while blacks and Hispanics do the time. A prison system where torture and rape are regular occurrences and where in some states the conditions are worse than at Gitmo. California prisons hospitals are so bad that they have been declared unconstitutional and a form of torture, over the objections of Attorney General Jerry Brown and Arnold Schwarzenegger, who leased his face to the rich and was on television the other day talking about how rough they have it. A man who is channeling his hero the late Kurt Waldheim’s attitudes toward the poor and disabled.

Gates can help lead the fight so that there will be mutual respect between law enforcement and minorities instead of their calling us niggers all the time and being Marvin Gaye’s “trigger happy” policemen. Not all of them but quite a few. Or Gates can coast along. Continue to maintain that black personal behavior, like not turning off the TV at night, is at the root of the barriers facing millions of black Americans. Will return to the intellectual rigor espoused by his hero W.E.B Dubois or will he continue to act as a sort of black intellectual Charles Van Doren? An entertainer. (An insider at PBS told me that the network is demanding that Gates back up his claims about the ancestry of celebrities with more solid proofs.)

Gates has discussed doing a documentary about racial profiling. I invite him to cover a meeting residents of my Oakland ghetto neighborhood have with the police each month. (Most of our problems incidentally are caused by the off-springs of two family households. Suburban gun dealers who arm gang leaders. The gang leader on our block isn’t black! An absentee landlord who owns a house where crack operations take place.) He can bring Bill Cosby with him. He’ll find that the problems of inner citizens are more complex than “thirty five year-old grandmothers living in the projects” and rappers not pulling up their pants and that racism remains in the words of the great novelist John A. Williams, “an inexorable force.”

Finally, in his 2002 Jefferson lecture, delivered at the Library of Congress, Henry Louis Gates, Jr., during remarks about the 18th-Century poet Phillis Wheatley in which he excoriated the attitudes of her critics in the Black Arts movement, one more time, ended his lecture with: “We can finally say: Welcome home, Phillis; welcome home.”

If Gate’s ceases his role as just another tough lover and an “intellectual entrepreneur,” and takes a role in ending racial traffic and retail profiling, and police home invasions, issues that have lingered since even more Chesnutt’s time, we can say, “Welcome home, Skip; welcome home.”

Ishmael Reed is the publisher of Konch. His new book, "Mixing It Up, Taking On The Media Bullies" was published by De Capo.

Tuesday, July 14, 2009

Small Press Distribution Poetry Bestsellers May/June 2009

SPD Poetry Bestsellers

May/June 2009

Sunday, July 12, 2009

Justin, What do you think of Obama's letting the west off the hook for Africa's problems? Ishmael

Ishmael,

He's lying, and he knows it. To think that this man has the wherewithal to stand on the very ground where Nkrumah was murdered at the behest of United States interests. Even the choice of Ghana was a cynical ploy to further coerce leverage for AFRICOM, a plan initiated by Bush in 2007, to find a home. It is currently based, without irony, in Germany. Massive oil discoveries where recently made off Ghana's coast as well.
Not unlike his infamous Father's Day speech of last year, Obama was signaling,and signifying, elsewhere. In this case to the very centers of capital that were founded and solidified by colonialism in Africa! These remain to this very day, no matter what anybody would like to say, the paymasters for the various military, paramilitary, terrorist and so called counter terrorist groups throughout the continent.
The United States government, vis. the Pentagon, the State Department &c. are fully intent on fightting a proxy war with China over the resources in Africa. The very resources that without which the economy of the West would come to screeching halt. Col-tan, the essential ingrediant in the manufacture of IT, Sony Playstations, laptops, cell phones of all varities &c. is known to be the source of the conflict in North Eastern Congo's Ituri Forest. Can you imagine what would happen if the expedition of this precious mineral were slowed down or halted? Stocks, as you know, are traded on projected earnings. The height of the "dot com boom" was the period when, according to the UN and countless NGO's, that close to 7 million people died there. We didn't hear any outcry about that. Bob Herbert, whose column last week on Michael Jackson was unforgivable, seems to think it's all about rape. I guess that'll put him in solid with Eve Enlser and her crowd.
Which brings us back to AFRICOM. Bush was laying down the ground work for Obama to make that speech. He's following up on errands. Obama, however, can do this as propagandist foil in a way they could not. That aside, Bush had laid out a plan for war in Africa just prior to the formation of Africom before it's creation in 2007. As larger and larger oil discoveries where being made there in 2003, 2004, and 2005, organizations like the Council on Foreign Relations and Hoover Institute began publishing policy papers and research indentifying the continent as the emerging front in the "war on terror." This is the true context for Obama's speech and the guide for it's content as well.
Obama's speech was even covered in the Times with the headline that it was "Tough Love"!
This kind of "personal responsiblity" line is perfectly in tune with the recent attempts, sometimes succesful, to shame and humiliate African leaders by dragging them in front the ICC, such as Charles Taylor, or in lieu of that, falsely suggesting that they should be, as in Bashir of Sudan.

Justin

Friday, July 10, 2009

North Korea: "Sanity" at the Brink



North Korea: “Sanity” at the Brink

by Michael Parenti

Nations that chart a self-defining course, seeking to use their land, labor, natural resources, and markets as they see fit, free from the smothering embrace of the US corporate global order, frequently become a target of defamation. Their leaders often have their moral sanity called into question by US officials and US media, as has been the case at one time or another with Castro, Noriega, Ortega, Qaddafi, Aristide, Milosevic, Saddam Hussein, Hugo Chavez, and others.

So it comes as no surprise that the rulers of the Democratic People’s Republic of Korea (DPRK or North Korea) have been routinely described as mentally unbalanced by our policymakers and pundits. Senior Defense Department officials refer to the DPRK as a country “not of this planet,” led by “dysfunctional” autocrats. One government official, quoted in the New York Times, wondered aloud “if they are really totally crazy.” The New Yorker magazine called them “balmy,” and late-night TV host David Letterman got into the act by labeling Kim Jong-il a “madman maniac.”

To be sure, there are things about the DPRK that one might wonder about, including its dynastic leadership system, its highly dictatorial one-party rule, and the chaos that seems implanted in the heart of its “planned” economy.

But in its much advertised effort to become a nuclear power, North Korea is actually displaying more sanity than first meets the eye. The Pyongyang leadership seems to know something about US global policy that our own policymakers and pundits have overlooked. In a word, the United States has never attacked or invaded any nation that has a nuclear arsenal.

The countries directly battered by US military actions in recent decades (Grenada, Panama, Iraq, Libya, Somalia, Yugoslavia, Afghanistan, then again Iraq), along with numerous other states that have been threatened at one time or another for being “anti-American” or “anti-West” (Iran, Cuba, South Yemen, Venezuela, Syria, North Korea, and others) have one thing in common: not one of them has wielded a nuclear deterrence—until now.

Let us provide a little background. Put aside the entire Korean War (1950-53) in which US aerial power destroyed most of the DPRK’s infrastructure and tens of thousands of its civilians. Consider more recent events. In the jingoist tide that followed the September 11, 2001 attacks on the World Trade Center and the Pentagon, President George W. Bush claimed the right to initiate any military action against any “terrorist” nation, organization, or individual of his choosing. Such a claim to arbitrary power–in violation of international law, the UN charter, and the US Constitution–transformed the president into something of an absolute monarch who could exercise life and death power over any quarter of the Earth. Needless to say, numerous nations--the DPRK among them—were considerably discomforted by the US president’s elevation to King of the Planet.

It was only in 2008 that President Bush finally removed North Korea from a list of states that allegedly sponsor terrorism. But there remains another more devilishly disquieting hit list that Pyongyang recalls. In December 2001, two months after 9/11, Vice President Dick Cheney referred chillingly to “forty or fifty countries” that might need military disciplining. A month later in his 2002 State of the Union message, President Bush pruned the list down to three especially dangerous culprits: Iraq, Iran, and North Korea, who, he said, composed an “axis of evil.”

It was a curious lumping together of three nations that had little in common. In Iraq the leadership was secular, in Iran it was a near Islamic theocracy. And far from being allies, the two countries were serious enemies. Meanwhile the DPRK, had no historical, cultural, or geographical links to either Iraq or Iran. But it could witness what was happening.

The first to get hit was Iraq, nation #1 on the short list of accused evil doers. Before the Gulf War of 1990-91 and the subsequent decade of sanctions, Iraq had the highest standard of living in the Middle East. But years of war, sanctions, and occupation reduced the country to shambles, its infrastructure shattered and much of its population drenched in blood and misery.

Were it not that Iraq has proven to be such a costly venture, the United States long ago would have been moving against Iran, #2 on the axis-of-evil hit list. As we might expect, Iranian president Mahmoud Amadinijad has been diagnosed in the US media as “dangerously unstable.” The Pentagon has announced that thousands of key sites in Iran have been mapped and targeted for aerial attack. All sorts of threats have been directed against Tehran for having pursued an enriched uranium program–which every nation in the world has a right to do. And on a recent Sunday TV program, Secretary of State Hillary Clinton warned that the United States might undertake a "first strike" against Iran to prevent its nuclear weapons development.

Rather than passively await its fate sitting in Washington’s crosshairs, axis nation #3 on the US hit list is trying to pack a deterrence. The DPRK’s attempt at self-defense is characterized in US official circles and US media as wild aggression. Secretary Clinton warned that the United States would not be “blackmailed by North Korea.” Defense Secretary Robert Gates fulminated, “We will not stand idly by as North Korea builds the capability to wreak destruction on any target in Asia–or on us.” The DPRK’s nuclear program, Gates warns, is a “harbinger of a dark future.”

President Obama condemned North Korea’s “belligerent provocative behavior” as posing a “grave threat.” In June 2009, the UN Security Council unanimously passed a US-sponsored resolution ratcheting up the financial, trade, and military sanctions against the DPRK, a nation already hard hit by sanctions. In response to the Security Council’s action, Kim Jong il’s government announced it would no longer “even think about giving up its nuclear weapons” and would enlarge its efforts to produce more of them.

In his earlier Cairo speech Obama stated, “No single nation should pick and choose which nation holds nuclear weapons.” But that is exactly what the United States is trying to do in regard to a benighted North Korea--and Iran. Physicist and political writer Manuel Garcia, Jr., observes that Washington’s policy “is to encourage other nations to abide by the terms of the Nuclear Non-Proliferation Treaty--and renounce nuclear weapons--while exempting itself.” Others must disarm so that Washington may more easily rule over them, Garcia concludes.

US leaders still refuse to give any guarantee that they will not try to topple Pyongyang’s communist government. There is talk of putting the DPRK back on the list of state sponsors of terrorism, though Secretary Clinton admits that evidence is wanting to support such a designation.

>From its lonely and precarious perch the North cannot help feeling vulnerable. Consider the intimidating military threat it faces. The DPRK’s outdated and ill-equipped army is no match for the conventional forces of the United States, South Korea, and Japan. The United States maintains a large attack base in South Korea. As Paul Sack reminds us in a recent correspondence to the New York Times, at least once a year the US military conducts joint exercises with South Korean forces, practicing a land invasion of the DPRK. The US Air Force maintains a “nuclear umbrella” over South Korea with nuclear arsenals in Okinawa, Guam, and Hawaii. Japan not only says it can produce nuclear bombs within a year, it seems increasingly willing to do so. And the newly installed leadership in South Korea is showing itself to be anything but friendly toward Pyongyang.

The DPRK’s nuclear arsenal is a two-edged sword. It can deter attack or invite attack. It may cause US officials to think twice before cinching a tighter knot around the North, or it may cause them to move aggressively toward a confrontation that no one really wants.

After years of encirclement and repeated rebuffs from Washington, years of threat, isolation, and demonization, the Pyongyang leaders are convinced that the best way to resist superpower attack and domination is by developing a nuclear arsenal. It does not really sound so crazy. As already mentioned, the United States does not invade countries that are armed with long-range nuclear missiles (at least not thus far).

Having been pushed to the brink for so long, the North Koreans are now taking a gamble, upping the ante, pursuing an arguably “sane” deterrence policy in the otherwise insane world configured by an overweening and voracious empire.

-----------------
Michael Parenti’s recent books include: Contrary Notions: The Michael Parenti Reader (City Lights); Democracy for the Few, 8th ed. (Wadsworth); and God and His Demons (Prometheus Books, forthcoming). For further information, visit his website: www.michaelparenti.org.

Monday, June 29, 2009

The Persecution of Michael Jackson


The Mad Dog DA and the Mad Dog Media

The Persecution of Michael Jackson

By ISHMAEL REED

Last Thursday, while working on some writing deadlines, I was switching channels on cable. On CNN they were promoting “Black In America, ” an exercise meant to boost ratings by making whites feel good by making blacks look bad, the marketing strategy of the mass media since the 1830s, according to a useful book entitled “The Showman and the Slave, ” by Benjamin Reiss. The early penny press sold a “whiteness” upgrade to newly arriving immigrants by depicting blacks in illicit situations. By doing so they were marketing an early version of a self esteem boosting product. One of the initial sensational stories was about the autopsy of a black woman named Joice Heth, who claimed to be George Washington’s nurse and over one hundred years old. It was the O. J. story of the time. Circus master, P. T. Barnum , charged admission to her autopsy, which attracted the perverted in droves.

And so, if the people broadcasting cable news appear to be inmates of a carnival, there is a connection since the early days of the mass media to that form of show business. According to Reiss, early newspapers were not only influenced by P. T. Barnum, but actually cooperated with him on some hoaxes and stunts.

I would classify CNN’s “Black In America” as a stunt. In preparing for a sequel to the first ‘Black In America, ”which boosted the networks ratings (the O. J. trial saved CNN!), CNN rolled out the usual stereotypes about black Americans. Unmarried black mothers were exhibited, without mentioning that births to unmarried black women have plunged since 1976 more than that of any other ethnic group. Then we got some footage that implied that blacks as a group were homophobes even though Charles Blow a statistician for The New York Times recently published a chart showing that gays have the least to fear from blacks. Recently, the media perpetrated a hoax that blacks were responsible for the passage of Proposition 8, the California proposition that banned gay marriage. An academic study refuted this claim, but that didn’t deter The New York Times from hiring Benjamin Schwarz to explain black homophobia. Schwarz is the writer who wrote in The Los Angeles Times that blacks who were victims of lynchings in the south were probably guilty.

In the last “Black in America, ” Soledad O’Brien, CNN’s designated tough love agent against the brothers and sisters, scolded a black man for not attending his daughter’s birthday party. The aim of this scene was meant to humiliate black men as neglectful fathers. Ms. O’Brien won’t be permitted by her employees to mention that 75% of white children will live at one time or another in a single parent household and that the Gov. of South Carolina’s not showing up for Father’s Day isn’t just a lone aberration in “White America.”

How would CNN promote a “White in America?” The thousands of meth addicts who have abandoned their children? The California rural and suburban white women who do more dope than Latino and black youth? The suburban Dallas white teenagers who are overdosing on “cheese” heroin? Why not? Can’t get State Farm, Ford and MacDonald’s to sponsor such a program? All of these companies are sponsoring “Black In America , ”the aim of which is to cast collective blame on blacks for the country’s social problems. For ratings.

During CNN’s carnival act disguised as news, the scene of Zimbabwe’s Prime Minster being urinated upon by a monkey, while sitting in his garden drew snickers in the newsroom. This is what passes for coverage of the African continent by CNN.

When the bulletin that Michael Jackson had died flashed across the screen, I was prepared for TV at it’s worst and I wasn’t disappointed. The man wasn’t cold before the familiar adjectives were rolled out. “ Weird, bizarre, eccentric, ” the traditional language used to disparage artists by the bourgeoisie. Dan Abrams, who made his reputation by convicting O. J. Simpson, before the opening arguments of his criminal trial, made a snarky comment about Jackson’s weirdness. Mr. Abrams, a higher up at MSNBC, employs a Hitler admirer named Pat Buchanan. Given Abram’s background, why isn’t that considered weird?

Former Calfornia poet laureate Al Young called to inform me that CNN’s Jeffrey Toobin, another O. J. alumni, and a man who said that blacks shouldn’t be “patted on the head” or “patronized” for believing in O. J. Simpson’s innocence, had made some ugly comments about Jackson. (A star who has had at least a dozen facelifts called into the “Larry King Show”to comment about MJ’s altering his appearance).

Also weird was MSBC’s Savanah Guthries’ air-headed depiction of the trial. ( For a list of Ms. Guthries’ false reportings see Media Matters. com). She said that the evidence against Jackson in the trial was “devastating. ” So devastating that some legal experts said that Jackson should never have been brought to trial and that the aim of the trial was to seek a pound of flesh from Jackson for being uppity and for putting the name of Thomas W. Sneddon Jr., a vindictive District Attorney, into a song. In my opinion it was the prosecution of Jackson by this District Attorney, who, among other things, violated Jackson’s fourth amendment rights, and made disparaging remarks about the star, during a press conference, and the side-show pro prosecution media coverage that killed Jackson.

In my lengthy examination of the trial printed in my book, “Mixing It Up, Taking on The Media Bullies, ” I concluded that though millions of Jackson’s fans celebrated his acquittal, the District Attorney, who was allowed to squander the California taxpayers’ money so that he might humiliate a rich black man, whom he felt had sassed him, was the victor. At the beginning of the trial , Jackson was dancing on top of a van. During the trial he had to be hospitalized. At the end, he was a frail emaciated wreck.

Because of the malicious prosecution of Jackson by Sneddon and Sneddon’s claque in the media, Jackson will always be regarded as a pedophile. ( When the trial opened, a USA Today CNN Gallup Poll found that 72% of whites and 51% of Blacks believed that the charges against Jackson were “Definitely” or “Probably” true.) Wherever “Mad Dog” Sneddon, this hateful man might be in his retirement, he can gloat over the death of the man against whom he waged a vendetta with all of the power of the state at his disposal. He even tried to introduce photos of Jackson’s genitals during the 2005 trial, which proved too much even for the pro prosecution judge.

Of course, none of Sneddon’s abuse or the abuse of Jackson by his accusers was mentioned by an old corporate media, out of touch and on life supports. For infotainers like Katie Couric, Joe Jackson, Jackson’s father was MJ’s sole abuser. The eyes of yesterday’s media, black fathers are the principal actors in domestic violence.

Guthrie also said that the prosecution “had conducted mini trials within the trial,” which brought up “ a whole history of prior bad acts of molestation. ”She was referring to 1994 case in which Jackson was accused of pedophilia by a youngster who , according to writer Mary Fisher, a serious journalist, was used by his father to wrest some cash from Jackson. In, ”Mixing It Up…, ”I summarized Mary Fisher’s serious and thorough investigation that was originally published in GQ, October, 1994, under the title “Was Michael Jackson Framed?” Jackson, settled out of court because Johnnie Cochran didn’t want him to face one of those all white suburban juries that O. J. faced.

Fisher wrote: “It’s a story of greed, ambition, misconceptions of part of police and prosecutors, a lazy and sensation-seeking media and the use of a powerful, hypnotic drug. It may also be a story about how a case was simply invented. ”

Fisher claimed that the first case arose from the ambitions of the thirteen-year-old accuser’s stepfather, Evan Chandler, who exploited Jackson’s friendship with his son. At one point, he asked Jackson to build him a house. Fisher said that the child denied being abused by Jackson until he was administered the drug sodium amytal, which is known to induce false memory. Chandler refused to be interviewed for the article and refused to appear on the Today Show, where Fisher repeated her charges before a nationwide audience. She said that the whole scheme was concocted by the child’s stepfather to destroy the superstar.

None of the media descriptions of Jackson’s career, including a superficial pop driven survey of the star’s career by Anderson Cooper, referred to the 2005 plaintiff’s lies and his mother’s shabby history of conning individuals and institutions including J. C. Penney’s, which she accused of sexual abuse. She claimed that she had been “fondled inappropriately” by store personnel. Documents also hinted that “…the mom rehearsed her children to corroborate her story. ” During the 2005 trial,

Jackson’s Attorney, Tom Mesereau Jr. got the teenage boy to admit that he lied under oath during the J. C. Penny case. USA Today reported on March 1, 2005, that the mother used the boy as a prop to get money from Mike Tyson, Adam Sandler, Jim Carrey, Jay Leno and others, “even though insurance was paying his bills. ” Linda Deutsch, one of the last of hard-nosed shoe leather journalists, reporting for the Associated Press on March of 2005. said that Mesereau got the 15 year old to admit that he’d told Jeffrey Alpert, a school official that “nothing happened “ between Jackson and him.

Connie Keenan, editor of Mid Valley News, wrote of a hoax that the boy’s mother perpetrated on that newspaper. She made a pitch that her son needed medical care and that she had no financial means to provide it. During the first week of the newspaper’s appeal, the mother received $965 in donations. It turned out that the boy was being treated at Kaiser Permanente in Los Angeles with no cost to the family. Connie Keenan concluded that “ My gut level, she’s a shark. She was after money. My readers were used. My staff was used. It’s sickening. ”

While referring to Jackson as “bizarre” none of the cable reporting about Jackson’s death cited the bizarre courtroom testimony of the plaintiff’s mother, Janet Arvizo. At one point during her testimony, she said that feared her children would disappear from Neverland, Jackson’s ranch, in a hot air balloon.

On Apr 18, 2005, Agence France-Presse reported “The mother of Michael Jackson's young molestation accuser claimed that she feared her children would be spirited away from the star's Neverland Ranch in a hot air balloon. In some of the most bizarre testimony of Jackson's frequently surreal trial, the woman revealed that she told police she feared her three kids would vanish from Neverland into California's blue skies.

"Did you tell the sheriff that you thought your children might disappear in a hot air balloon from Neverland?" Jackson's lead lawyer Thomas Mesereau asked the woman under cross-examination.

"I made them aware," she said.

Finally, in November of 2006, according to TMZ, Janet Arvizo pled no contest to a welfare fraud charge in Los Angeles. She was ordered to 150 hours of community service and to pay $8, 600 in restitution. During Jackson's trial, Arvizo invoked the Fifth regarding welfare fraud. Seems that she applied for welfare even though she’d received a $150, 000 settlement from J. C. Penny’s. Even with the mother’s behavior and the boys lies, Nancy Grace, commenting on the death of Jackson, said that she was surprised by the not guilty verdict in the Jackson trial. No wonder Ms. Grace has been called” a cheerleader for the prosecution.”

Yet, these journalists insist that their news product is superior
to that of bloggers. (Journalistic bottom feeder, Diane Dimond, a Sneddon fan and Jackson stalker was invited by MSNBC to weigh in during which she was allowed to engage in doofus speculation much of it ugly about Jackson’s life and death)

G. Q. s Mary Fisher accused her colleagues of lazy journalism of the sort that defamed Jackson in life and in death. Maureen Orth from Vanity Fair didn’t read Mary Fisher’s findings. She was on the Chris Matthews Show accusing Jackson of “serious felonies” involving pedophilia. Another reporter who seemed to nullify the 2005 Jackson jurie's decision was “Morning Joe’s” adjunct bimbo, Courtney Hazlett. She said that there would be no pilgrimage to Neverland and as there was to Graceland, because “bad things happened at Never Land. ” We are led to believe that Presley and his entourage spent their days at Graceland drinking milk and reading each other passages from the scriptures.

All of these opinions seem to indicate that Cable’s talking heads have taken it upon themselves to nullify the judgment of juries whenever they please. This all white electronic jury has placed itself above the law.

But at least Jackson didn’t suffer from the kind of hi tech lynching accorded the tragic Patsy Ramsey. For years cable, which now not only calls elections but acts as judge and jury, accused her of murdering her child. Only after her death was it found that she was innocent.

If the reporting on Jackson’s death by the media wasn’t salacious and ignorant enough, it didn’t get any better the next day, June 26.

Ignoring Jackson’s philanthropic pursuits and contributions to forty charities, on the “Today Show, “it was all about what happened to all of the nigger’s money and whether he died from too many drugs and what’s to become of his children, questions meant to attract the prurient. Again, Diane Dimod was invited on to spread scurrilous unconfirmed rumors about the dead star. Some of the modern day carnival barkers like Chris Matthews expressed surprise that Jackson’s death resulted in such an outpouring of worldwide mourning. This is what happens to people like Matthews who dwell in an insulated white supremacist bubble( that includes the Anglo wannabe and Churchill admiring Irish among them) which holds that a narrow cultural strip between New York and Washington represents the world.

I would like to have seen more independent African-American journalists comment on the passing of Michael Jackson, but, according to Richard Prince, who runs a media blog for The Maynard journalism Institute, hundreds have lost their jobs over the last two years, including Pulitzer Prize winners like Les Payne.

With the absence of black and Latinos from journalism, the media have become a spare all white jury always ready to take down a black celebrity for the entertainment of the types who used to attend those acts created by P. T. Barnum.

Ishmael Reed is the publisher of Konch. His new book, "Mixing It Up, Taking On The Media Bullies" was published by De Capo.

Lyrics: by Michael Jackson

They wanna get my a**, dead or alive.
You know he really tried to take me down by surprise.
I bet he missioned with the CIA.
He don't do half what he say.

Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man

He out shock in every single way.
He stop at nothing just to get his political say.
He think he hot cause he's BSDA.

I bet he never had a social life anyway.
You think he bother with the KKK?
I bet his mother never taught him right anyway.
He want your vote just to remain TA.
He don't do half what he say.

Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man

Dom S. Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man

Friday, May 29, 2009

Malcom X at the Ford Auditorium, 1965


(excerpts)
From Speech at Ford Auditorium (February 1965)

"One of the shrewd ways that they use the press to project us in the eye or image of a criminal: they take statistics. And with the press they feed these statistics to the public, primarily the white public. Because there are some well-meaning persons in the white public as well as bad-meaning persons in the white public. And whatever the government is going to do, it always wants the public on its side, whether it's the local government, state government, federal government. So they use the press to create images. And at the local level, they'll create an image by feeding statistics to the press — through the press showing the high crime rate in the Negro community. As soon as this high crime rate is emphasized through the press, then people begin to look upon the Negro community as a community of criminals.
"And then any Negro in the community can be stopped in the street. "Put your hands up," and they pat you down. You might be a doctor, a lawyer, a preacher, or some other kind of Uncle Tom. But despite your professional standing, you'll find that you're the same victim as the man who's in the alley. Just because you're Black and you live in a Black community, which has been projected as a community of criminals. This is done. And once the public accepts this image also, it paves the way for a police-state type of activity in the Negro community. They can use any kind of brutal methods to suppress Blacks because "they're criminals anyway." And what has given this image? The press again, by letting the power structure or the racist element in the power structure use them in that way. . . .

"From 1954 to 1964 was the era in which we witnessed the emerging of Africa. The impact that this had upon the civil rights struggle in America has never been told, fully told.
"For one reason — for one thing, one of the primary ingredients in the complete civil rights struggle was the 'Black Muslim' movement. The 'Black Muslim' movement, though it took no part in things political, civic — it didn't take too much part in anything other than stopping people from doing this drinking, smoking, and so on. Moral reform it had, but beyond that it did nothing. But it talked such a strong talk until it put the other Negro organizations on the spot. Before the 'Black Muslim' movement came along, the NAACP was looked upon as radical; they were getting ready to investigate it. And then along came the 'Muslim' movement and frightened the white man so much he began to say, "Thank God for old Uncle Roy and Uncle Whitney and Uncle A. Philip and Uncle... — you've got a whole lot of uncles in there. I can't remember their names, they're all older than I, so I call them "uncle." Plus, if you use the word "Uncle Tom" nowadays, I heard they'll sue you for libel, you know. So I don't call any of them Uncle Tom anymore. I call them Uncle Roy. . . .

"You ever notice how some Negroes will brag, "I'm the only one out there, I'm the only one on my job." Don't you hear them say that? Yes, you ought to punch him in hi — no he's your brother, you shouldn't punch your brother. But you should really get him — you can punch him with some words.
"Whenever you see a Negro bragging about "he's the only one in his neighborhood," he's bragging. He's telling you in essence, "I'm surrounded by white folks," you know. "I love them, and they love me." Oh yes. And on his job "I'm the only one on my job." I've been listening to that stuff all my life, and the generation that's coming up, they're not going to be saying that. The generation that's coming up, everybody is going to look like an Uncle Tom to them. And you and I have to learn that in time, so that we don't pose that image when our people, when our young generation come up and begin to look at us. . . .

"Brothers and sisters, let me tell you, I spend my time out there in the street with people, all kind of people, listening to what they have to say. And they're dissatisfied, they're disillusioned, they're fed up, they're getting to the point of frustration where they are beginning to feel: What do they have to lose? And when you get to that point you're the type of person who can create a very dangerously explosive atmosphere. This is what's happening in our neighborhood, to our people. I read in a poll taken by Newsweek magazine this week, saying that Negroes are satisfied. Oh yes, poll you know, in Newsweek, supposed to be a top magazine with a top pollster, talking about how satisfied Negroes are. Maybe I haven't met the Negroes he met. Because I know he hasn't met the ones that I've met.
"But this is dangerous. This is where the white man does himself the most harm. He invents statistics to create an image, thinking that that image is going to hold things in check. You know why they always say Negroes are lazy? 'Cause they want Negroes to be lazy. They always say Negroes can't unite because they don't want Negroes to unite. And once they put this thing in the mind, they feel that the Negro gets that into him and he tries to fulfill their image. If you say you can't unite him, and then you come to him to unite him, he won't unite because it's been said that he's not supposed to unite. It's a psycho that they work, and it's the same way with these statistics.
"When they think that an explosive era is coming up, then they grab their press again and begin to shower the Negro public, to make it appear that all Negroes are satisfied. Because if you know that you're dissatisfied all by yourself and ten others aren't, you play it cool; but you know if all ten of you are dissatisfied, you get with it. Well, this is what the man knows. The man knows that if these Negroes find out how dissatisfied they really are — and all of them, even Uncle Tom is dissatisfied, he's just playing his part for now — this is what makes them frightened. It frightens them in France, it frightens them in England, and it frightens them in the United States. . . .

Thursday, May 21, 2009

2010 Jazz Masters announced by National Endowment for the Arts



Nation's highest honor in jazz is bestowed on eight living legends

May 21, 2009



Washington, DC - The National Endowment for the Arts (NEA) today announced the recipients of the 2010 NEA Jazz Masters Award -- the nation's highest honor in this distinctly American music. The eight recipients will each receive a $25,000 grant award and be publicly honored in an awards ceremony and concert on Tuesday, January 12, 2010 at Frederick P. Rose Hall, home of Jazz at Lincoln Center.

The eight 2010 NEA Jazz Masters are:

Name

Category

City, State

Muhal Richard Abrams (pictured above)

Pianist, Composer, Educator

New York, NY

Kenny Barron

Pianist, Composer, Educator

Brooklyn, NY

Bill Holman

Composer, Arranger, Saxophonist

Los Angeles, CA

Bobby Hutcherson

Vibraphonist, Marimba Player, Composer

Montara, CA

Yusef Lateef

Saxophonist, Flutist, Oboist, Composer, Educator

Amherst, MA

Annie Ross

Vocalist

New York, NY

Cedar Walton

Pianist, Composer

Brooklyn, NY

George Avakian, a jazz producer, manager, critic, and educator from Riverdale, New York, will receive the 2010 A.B. Spellman NEA Jazz Masters Award for Jazz Advocacy.

"These master artists have dedicated their lives to shaping and advancing the rich tradition of jazz," said NEA Acting Chair Patrice Walker Powell. "The NEA is pleased to recognize their individual creative talents and celebrate their combined musical contributions."

For the January presentation, the Arts Endowment will again partner with Jazz at Lincoln Center in New York City to produce the event, and the Association of Performing Arts Presenters and Arts Presenter's annual conference. Conference attendees will have the opportunity to attend some of the jazz master events and learn more about presenting jazz in the communities. The Awards Ceremony & Concert will be held at Frederick P. Rose Hall, home of Jazz at Lincoln Center, and will feature the Jazz at Lincoln Center Orchestra with Wynton Marsalis in a program dedicated to the honorees' lives and works. Past collaborations between the NEA and Jazz at Lincoln Center include the NEA Jazz in the Schools curriculum -- available free of charge to high school teachers nationwide and used by nearly 8.4 million students since its inception. The NEA Jazz in the Schools Web site is a 2009 Webby Awards Official Honoree.

Each member of the 2010 NEA Jazz Masters class met the selection criteria of being a distinguished artist whose excellence, impact, and significant lifetime contributions have helped to keep jazz alive and further the growth of the art form:

  • The co-founder and first president of the Association for the Advancement of Creative Musicians (AACM), pianist Muhal Richard Abrams is highly respected by critics and musical peers as both a pianist and composer in a variety of musical styles.
  • Recognized the world over as a master of performance and composition, virtuoso pianist Kenny Barron has worked with such renowned musicians as Dizzy Gillespie, Charlie Haden, Roy Haynes, and fellow 2010 NEA Jazz Master Yusef Lateef.
  • Bill Holman's unique and complex arrangements have long been appreciated by musicians and critics alike, including Louie Bellson, Count Basie, Woody Herman, Buddy Rich, Doc Severinsen, and others.
  • Bobby Hutcherson's sound and style on the vibraphone helped modernize the instrument in the 1960s, adding an adventurous new voice to hard bop and free jazz.
  • A major force on the international musical scene for more than six decades, Yusef Lateef was among the first to incorporate world music into traditional jazz through his mastery of Middle Eastern and Asian reed instruments.
  • One of the early practitioners of the singing style known as "vocalese" -- the setting of original lyrics to an instrumental jazz solo -- Annie Ross was part of the renowned vocal trio Lambert, Hendricks & Ross
  • One of the great hard bop pianists, Cedar Walton is also well-known for his distinctive compositions, which he first honed during his years with Art Blakey and the Jazz Messengers.
  • George Avakian is not only a record producer but a true pioneer in the industry. Besides producing some of the finest jazz albums of the 1950s for Columbia, including Miles Davis's Miles Ahead and Duke Ellington's Ellington at Newport, he helped establish the 33 1/3 LP as the primary format for the recording industry. He also was the first to produce reissues of long out-of-print jazz recordings.

Profiles and downloadable high resolution photos of the 2010 NEA Jazz Masters can be found on the NEA's Web site.

Each year since 1982, the Arts Endowment has conferred the NEA Jazz Masters Award to living legends who have made major contributions to jazz. With this new class, the award has been given to 114 great figures of jazz in America, including Count Basie, George Benson, Art Blakey, Dave Brubeck, Betty Carter, Ornette Coleman, Miles Davis, Roy Eldridge, Ella Fitzgerald, Dizzy Gillespie, Lionel Hampton, Herbie Hancock, Elvin Jones, John Levy, Abbey Lincoln, Max Roach, Sonny Rollins, Cecil Taylor, Sarah Vaughan, Nancy Wilson, and Teddy Wilson.

About NEA Jazz Masters: NEA Jazz Masters are selected from nominations submitted by the public and receive a one-time grant award of $25,000, are honored at a public awards ceremony, and may be offered opportunities for participation in NEA-sponsored promotional, performance, and educational activities under the NEA Jazz Masters National Initiative program. Only living musicians or jazz advocates may receive the NEA Jazz Masters honor.

The National Endowment for the Arts has supported jazz artists and organizations since 1969, providing millions of dollars in grants and awards. In 2004, the NEA significantly expanded its NEA Jazz Masters program and in 2005 created the NEA Jazz Masters Initiative, a comprehensive program of jazz support that includes the NEA Jazz Masters award; NEA Jazz Masters Live, a series of multiple performance and educational engagements in selected communities, featuring NEA Jazz Masters; radio programming featuring NEA Jazz Masters; educational resources through the NEA Jazz in the Schools program produced by the Arts Endowment in partnership with Jazz at Lincoln Center; and publications and reports. For more information on NEA Jazz Masters, the public is invited to visit the Web site, at www.neajazzmasters.org.